Ancient Connection Collection

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SUMERIAN AND MESOPOTAMIAN ELEMENTS

Sumer King at the Gates is a free standing monolith positioned in the center of a stone amphitheater along the Missouri River in the Montana Megaliths.

Sumerian King List
https://www.livius.org/sources/content/anet/266-the-sumerian-king-list/

At the Montana Megaliths there is evidence of every epoch of civilization from the beginning down until 12,800 years ago when an asteroid hit North America according to Andrew Barker. This was one of the hubs of a series of ancient highly technologically advanced world wide civilizations.

I have discovered and documented several elements that appear to be very similar to what is found in ancient Sumeria and Mesopotamia. However these Giant Flash Fossilized Beings are far older.

According to the mainstream narrative "Mesopotamia is the region between the Tigris and Euphrates rivers in present-day Iraq. Sumer was a region in southern Mesopotamia where the Sumerian civilization flourished from around 4500–1900 BC." Wiki

Sumer Sphinx at the Dancing Giant Feet Complex in Montana Megaliths North

Nergal Montana at the
Tizer Dolmen Complex
in the Montana Megaliths
Discovered by Anna Fattarsi

Nergal Sumerian Bull Humanoid Figure
The Louve Museum in Paris, France

Sumer King in Avalanche Complex
Montana Megaliths East

In the Montana Megaliths there are several elements with Sumerian King heads sometimes attached to a torso or what appears to be the body of an animal. A few are humongous giants while others are smaller.

It is extremely difficult to photograph them as the Sumer Kings are often surrounded by stone walls. In certain sunlight and shadow I can see them plainly however the faces fade into the background in photographs.

Inanna at the Sumer Complex
Montana Megaliths North

Suspended on the side of a limestone cliff above the Missouri River in the Montana Megaliths North, is a bas relief image of Inanna starring down a dragon.

Inanna faces the Dragon at the
Sumer Complex
Montana Megaliths North

Inanna image from Sumeria

There has been a lot of blow back recently from those who still operate within the parameters of the mainstream historical narrative. I have posted photos, evidence, working theories and data about the Montana Megaliths that show evidence of an alternative time line.

Every time we put up the drone....climb up to a huge dolmen...find a gigantic flash fossilized human head with eyes, ears and teeth intact...film a Mountain Figure... discover another geosculpture on Google Earth that shows us where to explore with boots on the ground...we experience that rush. Our hearts are filled with gratitude and we seek to raise our energy frequency so that we can communicate with the Ancient Ones.

We have done extensive research and found many of the answers as well as rock solid perfectly anatomically correct irrefutable proof. We have not published the majority of these proof points yet. Please do not make assumptions regarding our conclusions as you do not have access to the data, photos, satellite deep geoscans, drone footage, Geologist's opinions nor have you experienced seeing these sites with your own eyes. We are still in the research phase however we are filming content for several videos that will be released soon.

MYSTERIOUS HANDBAGS OF THE GODS

"Slowly and piece by piece, we have been exploring and gathering small pieces of a MASSIVE puzzle that have driven us in the right direction when searching for answers mainstream scholars have not been able to fully answer.
"How can you explain the countless similarities among civilizations that inhabited Earth thousands of years ago, which were separated by tens of thousands of kilometers?"
https://www.bizsiziz.com/the-mystery-handbag-of-the-gods-depicted-in-sumer-america-and-gobekli-tepe/

Similar handbags, also referred to as water buckets, have been found in several ancient sites.
I discovered this monolith statue near the Shoshone Temple in Wyoming, USA. Gabriel Hackney found and illustrated the handbag (water bucket).

Shoshone Temple above the
Shosone River in Wyoming, USA

At the archeological site of La Venta, we will find a stone stele depicting the ancient Mesoamerican God Quetzalcoatl, who is curiously holding in his hand the same ‘Bag’ we see in ancient Sumerian depictions.
https://www.bizsiziz.com/the-mystery-handbag-of-the-gods-depicted-in-sumer-america-and-gobekli-tepe/

There are several correlations between artifacts found in La Venta in Mexico and the Montana Megaliths.

Gigantic Atlantean Statues of the Toltecs

mexicounexplained.com/gigantic-atlantean-statues-toltecs/

How did ancient civilizations from around the world share the same motif of the mysterious Handbag of the Gods in their monuments and art?
curiosmos.com/the-mysterious-handbag-of-the-gods-an-unexplained-symbol-depicted-in-ancient-monuments-around-the-world/

Handbags on a T- Block
Gobekli Tepe, Turkey

Large T-Block at the top of Sage Wall in the Montana Megaliths, USA

An Assyrian Relief Panel either depicting a king or an Anunnaki deity holding the Handbag of the Gods. Credit: Metropolitan Museum

Marc Summers commented, "The 'bag' accesses the craft. If you have a craft, you need a 'bag'. I'm also comfortable that these aren't flexible bags but a handled hard case that plugs into the control panel of the craft, probably the computer for the craft's operation. Flexible bags are a human construct. The amount of ancient artifacts showing or replicating these 'bags' clearly demonstrate that the most important gods always carried one, because they had a craft, and it was also a worldwide observation during the teaching. That indicates these separate tribes had similar teachers.

Then and Now: Machu Picchu, Peru. 1915 to 2020.
Andrew Barker commented, "Note raw site versus manicured. Yours (the Montana Megaliths) remains ‘wild’; but what lies beneath??'

Micheal Pell writes:
"Unknown what the constructors of these structures called them or what their intentions are. That is the guessing game of trying to figure out what or why the Montana Megaliths are about.

Everyone has their own ideas as collectively we chip away at tabled evidence to see what holds consistent as a possible theory until facts become actually known. Julie and her ground crew have the advantage to walk among and visually record (along with sensory perception) of these structures. Might sound silly but this complex will “talk” to those Experiencers once the visitor is “dialed in”.

I work mainly off of Julie’s written word, photos and collaborative videos she makes with others. EVERYTHING I suggest is based purely on guesses derived from running her findings through what I call the “astronomical filter”. By doing so I have found many things that make sense IF what we find in Montana was developed using the sky as a template to “tell the story”.

I am confident enough to think it is based on what we find on a global scale. The numbers and orientation will play key factors to prove or disprove this concept.When I see fire and/or flight imagery in ancient artifacts that symbolizes to me a solar reference in that the Sun is considered a flying fire in simplistic of terms.

As I believe that the MM is addressing a life/death/rebirth motif the Phoenix bird rising from the ashes fits in nicely. That the city Phoenix is due south of the MM and ties to the ancient equator via Easter Island seems connected to me (my opinion only).
I may read into it more than what is there but I just toss the ideas out there to be considered or dismissed as needed.

ROYAL RUBY COMPLEX

On July 5, 2021 I discovered and began photographing Royal Ruby Complex in the Nodia Megacomplex at Montana Megaliths North. As if often the case, the distinct anatomically correct eyes drew me in. A large percentage of the flash fossilized beings here are displayed in silhouette.

Several faces with human/draconian/feline/ features and compelling eyes are artistically arranged in full view on a cliff face near the Missouri River. Giant toes and fingers are scattered throughout.

Royal Ruby Complex

Royal Ruby Complex from ground level

DIRECTIONAL COMPASS MARKERS

Cloud Compass at
Cloud Catcher Complex

Bill Ryder below Cloud Compass

Kyle Burrows at Cloud Compass

Pointed stone markers strategically positioned to be highly visible extend from megalithic constructs. These compass markers are miles away from each other.

Andrew Barker stated, "Now we only know a fraction of the macro picture; but that is enough to understand the sites importance. The archaeologists will need many decades to formulate the micro picture. We must expect with a site of this scale that this could last into the next century."

Cloud Compass at Cloud Catcher Complex
Scroll down: https://www.montanamegaliths.com/megalithic-metropolis.html

Compass Skull with directional markers protruding from the third eye is positioned on the top point of an escarpment at the DragonRyder Complex.

Bird Watches Sky at
Amber's Compass Stone Circle

Amber's Compass Graphic by
Michael Pell

Michael Pell writes,
"The general layout of Amber’s compass does line up with the Orion constellation’s key star placements if open minded, however my personal take is that it is a solar complex as has been shown on Julie’s page in other overlays, including angles that the “Bird Watches Sky” menhir may be observing."

Amber's Compass photograph by Brenda Synness

See more under the heading AMBER'S COMPASS on this page of my Galacticfacets website:
https://www.galacticfacets.com/megaliths-in-montana-usa.html

STAR ALIGNMENTS BY MICHAEL PELL

Michel Pell has been doing the math and illustrating the star alignments of the Montana Megaliths, USA.

Michael writes," The other star based correct order constellation group matching Montana structures on the ground (as above, so below)."

I will soon be posting Michael Pell's work on this website however in the meantime you can find more of his work by scrolling down on this page of my Galacticfacets website:
https://www.galacticfacets.com/megaliths-in-montana-usa.html

ASTRONOMICAL FILTER
Michael Pell has researched and written about the astrological alignments and correlations with the Montana Megaliths for several years now. This is his latest revelation:
USING THE ASTRONOMICAL FILTER
===========================
This term is often used on the Missun’ Lynx group. What exactly do we mean by it and how is it employed? In this case when the term is used it is explaining that data we are looking at is being compared to numerical values, angles, orientation and general comparison between artifacts and structural details on Earth and visuals we see in the sky to see if there is any correlations or not.

It is of my impression based on reading many books and looking at diagrams that patterns between ground and sky layouts appear to match. Is imitating the sky on the ground the reason behind these similarities or mere coincidence?

I feel that the ground layouts are oriented to record important events in history, many that come from the sky that had major impact on the societies that witnessed them and wanted to preserve it for others that followed to be aware of.In this sense the “as above, so below” phrase may have more meaning and purpose than we generally attribute to it.

Good friend Julie Ryder in Montana, United States, has been discovering many unique structures in an area she calls the Giant’s Playground. At first glance these structures are not easily seen until one trains their eye to look for peculiarities not commonly found there suggesting an artificial source for construction and/or placement.

Examples such as polymer coatings, rocks of a foreign composition as to where they currently sit, angles and directions they face, shapes of animals and hominids, and so on. Once one knows what to look for these elements hidden among hills, valleys and trees become more apparent.

Are these indeed of artificial construction and if so are they individual structures created over a large expanse of time by several civilizations that inhabited or migrated through this area? Or are they a collective that tells a story of something that happened here that was cataclysmic or a near extinction level event?

Julie Ryder and her ground team have come up with many ideas and have the opportunity to have boots on the ground as they discover and explore these structures in person.
It is my belief the structures will talk to them in languages not necessarily vocal but through math, angles, depictions and the heavens. I follow her work remotely via her commentary, photos, websites and recently video production.

Having a knack for pattern recognition I began to see her data make sense to a degree when I began comparing it to sky orientations.
First, before the written word or even vocal language was developed hominids would need to still communicate events happening, or teaching the young to become self sufficient and the tools and practices to survive and adapt to the changing environments they would find themselves in.

The one most consistent thing in their lives and quest for survival was the sky. Understanding the sky as to how it looked from a given latitude and distribution of constellations, Milky Way, stars and planets along with the Sun on a hourly, daily, monthly or yearly basis was paramount when following herds, or domesticating crops as we developed civilizations. Those in the know of sky based patterns throughout could then predict with somewhat accuracy what might occur and when in the natural world. Here being an example that knowledge is both power and everything.

If the sky then did provide the stamp for the earliest temples, complexes and areas of importance as they set up their societies for success then I strongly feel the same held true for the Montana Megaliths. This is still a work in progress with things to not only be correctly deciphered but also yet to be discovered.

I believe when all is said and done the complex will paint a picture or story from an aerial perspective such as we find at Nazca in Peru. That Montana is tied to the Peruvian locale via the terminator line via Earth’s axis as well as a due south longitudinal line that bisects the ancient equator I feel is no mere coincidence.
My general consensus is that Montana Megaliths is telling a story of life/death/rebirth from experiencing a near extinction level event millennia ago, for prosperity of follow up generations to experience, know and learn from. Something perhaps cyclic rather than a one off event.

I am starting to believe it involved the Sun and possibly came in the form of a deadly solar outburst. Many things found here appear to have Sun track watching orientations as it moves from east to west. Many ground images match known star constellations along the ecliptic and houses of the zodiac. Coincidence, or planned design?

We have covered a few examples from Montana here on the Lynx group such as Amber’s Compass, bird glyphs, etc., but recently when playing around with an astronomical software program, comments Julie made on her Eagle Mount Amphitheater YouTube video caused me to have one of those “I wonder…..” moments. When I ran what she said against some sky layout screen captures I found a perfect match. Again I said to myself…. “Is this the true meaning of what Julie is finding distributed among the hills of Montana?” You decide. I am all but convinced for a fact it is.

Earlier Julie had mentioned about fish shapes, horse, birds, etc. The order is as important as are the animal types and then we found the following match as seen in the diagram.
Her video comments and listings I found also matched sky objects as seen and shared in the comments section, shared for your consideration.
Michael Pell
The Missun' Lynx
https://www.facebook.com/groups/342701273194238

Eagle Mount Video
https://www.youtube.com/watch?v=fjZHWQ8q-Hs&t=32s

Michael Pell writes, "Matching the sky order of similar themed constellations; West to the right, east to the left when looking south."

Michael Pell writes, "If this is facing anywhere between east and west (especially south) when I apply the astronomical filter to it I can see the “elf” looking like a small canine or constellation Canis Major at the feet of the towering structure Orion, as would be mirrored in the sky."

I assured Michael Pell that Big Owl was facing south toward Castle Nodia and the Dancing Giant Feet Complex.

Every one sees the features at the Montana Megaliths through their own lens. I first saw a huge owl with two circular eyes and a white hair Elfin being a the bottom that was named Thum by a friend from Macedonia. Michael Pell however sees something quite different.

Michael sends my photo back illustrated with the following comments, "South facing would indicate to me sky watching as objects rise in the east (left of view), reach their maximum height in the sky based on latitude of observation due south and set in the west (to the right of view). This matches what you are saying.

As an idea I took your photo and quickly edited it to draw out three objects I could see which order is important. First looking eastward I could see a bovine shaped profile. Beneath a human face facing south and below that a canine shape (the elf).

Looking at an astronomical order of similar shapes that would rise in the east (left if looking south) there is a matching order of bovine/hominid/canine sequence in constellations which would transverse the sky reaching their zenith due south and set in the west (right of view).

First the bovine constellation would rise (Taurus) followed by the hominid (Orion) and then the canine drawing up the rear (Canis Major that houses the Dog Star Sirius).

That order is important with bovine first, human and then dog mirrored by bull at top, man in middle and dog at lowest point, which is at least what I can see in the structure you shared.

Not saying that this is exactly what is going on but if it is astronomically oriented and indicative of this three constellation group quite recognizable then it is what we would expect to find and I submit for consideration.

Especially if other examples around Montana have star group themes of which appears to have been seen elsewhere."---Michael Pell

Also interesting is that Nazca is the point the Earth’s tilted axis terminator line (I call the Ryder Line) bisects the so called ancient equator. Michael Pell

Astronomically speaking this line also matches the day/night terminator line as it would be seen from space during a period in Earth’s orbit due to our planet’s axial tilt. Michael Pell

"Another aspect showing the terminator line as experienced throughout the year with a match to the winter solstice." Micheal Pell

"The more I look into these things such as energy fields, ley-lines, nodes, etc., I feel it is all solar influenced to some degree. When connecting a line between known solar impact zones, it passes right through the Montana region in question, a known node point." Michael Pell

E-LONG

E-Long on the side of Deano the Dinosaur

Pharaoh in Egypt

Ancient Giants Preserved Inside Hermetically Sealed Artificial Rocks Around The Planet For Thousands
Of Years by Adrian Leiva‎
EL ENIGMA DE LAS ROCAS

I was mesmerized when my eyes found a Being with a masculine human face and an elongated head looking over his right shoulder showing the left side of his face in silhouette. A large dangling white ear ring is superimposed hiding his neck from view. I named him E-Long.

Perhaps this practice of images on the outside that show who is inside the hermetically sealed rock is what we are seeing at Dragons Lair.

Several polymorphic images with human type faces and an elongated "ruffled" head dress are being discovered here at the MM. They appear as geosculptures seen only from Google Earth, faces melted into the stone or as free standing flash fossilized heads. I have chosen the working name of E-Long to designate these beings that appear to be of the same ancient species.