|
|
Click on "MORE" at the top of each page to
navigate to even more pages.
navigate to even more pages.
Welcome to the Valley of the Shields
CHANGING OF THE WORLD GLYPHS
FIRST, SECOND AND THIRD WORLDS
(color has been enhanced)
Photograph by Bill Ryder
(color has been enhanced)
Photograph by Bill Ryder
My husband and I often explored Valley of the Shields in Montana where these pictographs were painted. It is the largest polychrome pictograph site in North America where 110 panels have been re-discovered so far. Leon Secatero, former Navaho Headman, taught me that the ancient pictographs are read from right to left and bottom to top.
The Changing of the Worlds Symbol (an hourglass) is depicted in the far right glyph. At the center of this symbol is a circle representing zero. The concept of zero is not the void, nothingness or the null point. It is more the concept of the center still place vibrating with potential energy awaiting manifestation in the material world. The Navajo draw this symbol in sand emphasizing the center circle.
The Popul Vuh is an ancient Mayan text that tells of the Changing of the Worlds. This pictograph which anthropologists categorize as "shield warriors" is actually the legends of the Five Worlds exactly as described in the Popul Vuh. I typed an English translation of the Popul Vuh when I was in my early twenties so when I first viewed this glyph I knew exactly what the symbols meant.
The Popul Vuh states that ....we crossed the center of galactic plane into the First World. The First World was the world of no color. The Second World was destroyed by water. It is where the animals first appeared. The Third World was destroyed by fire from the sky when an asteroid hit the earth. The Fourth World was destroyed by high winds during a polar shift. The Fifth World is the world of green and glitter. Other legends talk about seven tribes that migrated into the Fifth World.
We are currently transitioning from the Fifth World "the world of green..the world of glitter" into the Sixth World. Many of the Indigenous Elders say that the world has reached a positive time line and that this destruction may be mitigated into a transcendent world of peace.
The Sixth World will be the World of Crystal. Our current technology is based on quartz crystal which is silicone computer chips.
The First shield warrior's head has no pigment representing the world of no color. The second shield warrior's head is aqua blue--the color of water . An animal is depicted on the torso. A red head appears on the third warrior glyph--the color of fire. Around the neck of the third "shield warrior" is a bluish-green necklace medallion of the blue and green planet earth and our orbit through space. On both sides of the earth a separate circular object with two greem dots is shown depicting near earth objects.
The First World is the element of the void which is no color. The Second World is the element of water. The Third World is the element of fire. The Fourth World is air. The Fifth World is the element of earth.
The Changing of the Worlds Symbol (an hourglass) is depicted in the far right glyph. At the center of this symbol is a circle representing zero. The concept of zero is not the void, nothingness or the null point. It is more the concept of the center still place vibrating with potential energy awaiting manifestation in the material world. The Navajo draw this symbol in sand emphasizing the center circle.
The Popul Vuh is an ancient Mayan text that tells of the Changing of the Worlds. This pictograph which anthropologists categorize as "shield warriors" is actually the legends of the Five Worlds exactly as described in the Popul Vuh. I typed an English translation of the Popul Vuh when I was in my early twenties so when I first viewed this glyph I knew exactly what the symbols meant.
The Popul Vuh states that ....we crossed the center of galactic plane into the First World. The First World was the world of no color. The Second World was destroyed by water. It is where the animals first appeared. The Third World was destroyed by fire from the sky when an asteroid hit the earth. The Fourth World was destroyed by high winds during a polar shift. The Fifth World is the world of green and glitter. Other legends talk about seven tribes that migrated into the Fifth World.
We are currently transitioning from the Fifth World "the world of green..the world of glitter" into the Sixth World. Many of the Indigenous Elders say that the world has reached a positive time line and that this destruction may be mitigated into a transcendent world of peace.
The Sixth World will be the World of Crystal. Our current technology is based on quartz crystal which is silicone computer chips.
The First shield warrior's head has no pigment representing the world of no color. The second shield warrior's head is aqua blue--the color of water . An animal is depicted on the torso. A red head appears on the third warrior glyph--the color of fire. Around the neck of the third "shield warrior" is a bluish-green necklace medallion of the blue and green planet earth and our orbit through space. On both sides of the earth a separate circular object with two greem dots is shown depicting near earth objects.
The First World is the element of the void which is no color. The Second World is the element of water. The Third World is the element of fire. The Fourth World is air. The Fifth World is the element of earth.
First World glyph
(color has been enhanced) Photograph by Bill Ryder |
Second World Glyph
(color has been enhanced) Photograph by Bill Ryder |
Third World Glyph
(color has been enhanced) Photograph by Bill Ryder |
Fourth World Glyph
(color has been enhanced) Photograph by Bill Ryder |
At first we could not find the Fourth World glyph. There was a blank space between the Third and Fifth World. Then as I became more adept at using the transmitter crystal to obtain information, I took the crystal to the site and positioned the crystal touching my third eye with one end of the double terminated crystal and placing the other end on the third eye area of the glyph of the First World.
I downloaded the information suddenly seeing in the crystal that the glyph was lower down and to my left. My husband, Bill, dug out the sand and there on the red sandstone wall of the canyon, between the third and fifth world glyph, was the fourth world shield figure exactly as predicted in the Popul Vuh.
The Fourth World shield figure was the same size as the others however it was very faded. The glyph was under the sand. On the right side of the chest was a winged human figure. There were clouds around this figure. The Fourth World represents air and wind.
I downloaded the information suddenly seeing in the crystal that the glyph was lower down and to my left. My husband, Bill, dug out the sand and there on the red sandstone wall of the canyon, between the third and fifth world glyph, was the fourth world shield figure exactly as predicted in the Popul Vuh.
The Fourth World shield figure was the same size as the others however it was very faded. The glyph was under the sand. On the right side of the chest was a winged human figure. There were clouds around this figure. The Fourth World represents air and wind.
|
|
The Fourth World shield figure has a human bird type glyph representing flight. Similar glyphs were found on Stonehenge in England with high tech photography.
This Fifth World glyph is on the same level as the first three above and to the left of the Fourth World glyph. The legends talk about seven tribes migrating into the fifth world. Notice that there are seven migration signs coming together on the left foot as the leg extends to the center of the green circle representing the Fifth World. These same migration signs are bird feet type glyphs that are all over Chaco Canyon in New Mexico.
The center of the torso is green. According to the Lakota there are five elemental forces which are fire, water, air, earth and green. Green describes the life force.
I asked the transmitter crystal to show me how the glyphs were painted here in Montana. The Navajo repainted them when they passed through about 1200 AD on their way south.
The center of the torso is green. According to the Lakota there are five elemental forces which are fire, water, air, earth and green. Green describes the life force.
I asked the transmitter crystal to show me how the glyphs were painted here in Montana. The Navajo repainted them when they passed through about 1200 AD on their way south.
CHANGING OF THE WORLDS
Many Indigenous Elders talk about the re-set being necessary to clean up the earth and start again in order to usher in a Golden Age. This Changing of the World pictograph in Montana shows the cataclysmic events that destroyed the previous four worlds. The Elders teach that there are three possible outcome for the Fifth World (which is currently ending). We can choose to become Homo Sapiens Techno or Homo Sapiens Transcendent or blow ourselves up and start all over again in the Sixth World.
Some Elders taught that a possible end time scenario for the fifth world is called "Earthquake the nuclear" in English. I heard this term many years ago. Think about Fukushima.
All three options are coming to a tipping point. Which are we going to choose?
Scroll down on this same page to the heading CHANGING OF THE WORLD SYMBOL
Some Elders taught that a possible end time scenario for the fifth world is called "Earthquake the nuclear" in English. I heard this term many years ago. Think about Fukushima.
All three options are coming to a tipping point. Which are we going to choose?
Scroll down on this same page to the heading CHANGING OF THE WORLD SYMBOL
Bill Ryder walking toward the stone wall opposite the Changing of the Worlds Glyphs
Valley of the Shields
Valley of the Shields
Stargate image in Valley of the Shield
For more information about Stargates scroll down the the heading: ANCIENT SHIELD STARGATE on the Star Nations page.
Julie Ryder at Valley of the Shields
Photograph by Bill Ryder
Photograph by Bill Ryder
While searching for pictographs under the towering walls of sandstone, I found an unusual fossil just when a rattlesnake found me. We had a conversation and snake slowly slithered back under the rocks.
Birds were nesting in the eye socket of a sandstone Giant's Head near the
entrance to the Valley of the Chiefs.
Photograph by Julie Ryder
entrance to the Valley of the Chiefs.
Photograph by Julie Ryder
CALENDAR STONE IN THE VALLEY OF THE CHIEFS
In the Valley of the Chiefs pictograph site, in Montana, which is adjacent to the Valley of the Shields, there is a calendar high on a sandstone wall.
Michael Pell created this graphic of the Calendar at Valley of the Chiefs in Montana with
this explanation:
This diagram of a glyph was posted by Julie Ryder
13 full moons per year and turtle shell segments.
When examining the glyph, here is what I could see.
A calendar based on days, weeks and months.
13 weeks per season between solstice to equinox to solstice to equinox.
13 x 4 = 52 (weeks in a year)
14 days of waxing moon
14 days of waning moon
6 months between equinoxes
6 months between solstices
Michael Pell created this graphic of the Calendar at Valley of the Chiefs in Montana with
this explanation:
This diagram of a glyph was posted by Julie Ryder
13 full moons per year and turtle shell segments.
When examining the glyph, here is what I could see.
A calendar based on days, weeks and months.
13 weeks per season between solstice to equinox to solstice to equinox.
13 x 4 = 52 (weeks in a year)
14 days of waxing moon
14 days of waning moon
6 months between equinoxes
6 months between solstices
Valley of the Chiefs Calendar compared with the tilt of Solstices
by Michael Pell
by Michael Pell
The red triangles in this pictograph in Arizona are similar to the calendar in the Valley of the Shields in Montana. Archaeological studies show that many of the glyphs in Montana were created by the Navajo as they migrated through Montana on their way to Arizona.
Echoes in the Canyons - Native American ruins in the Southwest
Posted by Kurt Schild
|
Michael Pell continues: When examining the glyph of the red coloured circle I wondered at the time if it might have been the basis for the portable teepee design, in that the diagram of the components creates it. Also when looking at the teepee design we see 13 poles in the main frame and a 14th as outriggers. Might they be telling time as in 13 for weeks in a season, or annual number of full moons? The 14th indicating the amount of days in a waning or waxing moon? |
|
Belle Chase writes:
"13 Moons and 28 days on all turtle shells. This equals 364 days, plus one day of rest. All indigenous people around the world knew the wisdom of the turtle and followed a 13 month calendar; after all, there are 13 moon cycles in a year and 27 to 29 days per cycle. It's almost as if man subtracted one month in order to sever the connection between the people and the sun, moon, and stars which are themselves a giant clock. |
Scroll down to see more about the Stargates in the Valley of the Chiefs and the Valley of the Shields under the heading:
STARGATES, DOORWAYS AND PORTALS
Epiphanies and Insights
STARGATES, DOORWAYS AND PORTALS
Epiphanies and Insights
PICTOGRAPHS AT VALLEY OF THE CHIEFS
|
According to the literature there are over 110 pictograph panels in the Valley of the Chiefs.
Pictographs in an Valley of the Chiefs which is the entry way to Valley of the Shields in Montana, USA, show a Changing of the World symbol and above it an animal within a red shield. My sense is that this was painted much later as it lacks the symmetry and sharp lines of the original glyphs.
Photo credit: Scott Printing |
|
|
|
Changing of the World Glyph
Valley of the Chiefs |
Buffalo inside a shield glyph in the Valley of the Chiefs is similar to the Second World in the Changing of the Worlds Glyph in the Valley of the Shields nearby.
|
Several Changing of the Worlds (hourglass, torsion field) glyphs were painted on a sandstone wall at the Valley of the Chiefs. These are similar to the First World Glyph in the Valley of he Shields. An image of a Buffalo inside a red shield glyph in the Valley of the Chiefs is also similar to the Second World in the Changing of the Worlds Glyph in the Valley of the Shields nearby.
|
|
Red feather symbol above circular directional symbol at Valley of the Chiefs.
Photographs by Bill Ryder
Photographs by Bill Ryder
Possible alien skull at Valley of the Chiefs
Photograph by Bill Ryder
Photograph by Bill Ryder
|
|
Bill and I were thrilled to see a herd of buffalo as we were approaching the area of the Valley of the Shields, where the Changing of the World Glyphs are located in the wild lands of Montana. I took these photos of the buffalo in September of 2022.
CHANGING OF THE WORLDS SYMBOL
Many Indigenous Elders talk about the re-set being necessary to clean up the earth and start again in order to usher in a Golden Age. This Changing of the World pictograph in Montana shows the cataclysmic events that destroyed the previous four worlds. The Elders teach that there are three possible outcome for the Fifth World (which is currently ending). We can choose to become Homo Sapiens Techno or Homo Sapiens Transcendent or blow ourselves up and start all over again in the Sixth World.
Some Elders taught that a possible end time scenario for the fifth world is called "Earthquake the nuclear" in English. I heard this term many years ago. Think about Fukushima.
All three options are coming to a tipping point. Which are we going to choose?
Some Elders taught that a possible end time scenario for the fifth world is called "Earthquake the nuclear" in English. I heard this term many years ago. Think about Fukushima.
All three options are coming to a tipping point. Which are we going to choose?
|
The Germanic Futhark Dagaz rune is based on a much older Changing of the World Symbol. "Dagaz, the last rune of Futhark means literally "Day". The esoteric meaning of the Dagaz rune symbolizes the fulfillment and achievement. Dagaz is the rune of the awakening, of dawn and of the day rise. The rebirth in the Light. Dagaz also symbolizes the fulfillment at the end of the initiatory path." (Wiki) It all fits together.
|
Since I first wrote about the Changing of the World Symbol in 2012, several examples have been sent from friends around the world. Thank you all for your contributions to the growing body of knowledge.
Ancient civilizations built similar megalithic constructs all over the world in the far distant past.Therefore the same language appears in these ancient glyphs, on ceremonial objects, on calendars and in art forms. Language experts refer to the American examples as Pre-Classical Sanskrit.
Several of the symbols of this ancient language referred to as the Star Nation Language are carved in and painted on granite and limestone walls here in Montana, in the USA.
Changing of the World Symbol is an hourglass configuration that represents a wormhole/torus/tunnel between dimensions in time and space. This symbol is found throughout the ancient world and more recently discovered in crop circles and cymatic symbols. Changing of the World Symbol is a hypothetical topological feature that would fundamentally be a shortcut through space/time. A wormhole is much like a tunnel with two ends, each in separate points in space/time.
The Changing of the World Symbol is drawn in the sand over and over as the stories of the Ancient Ancestors are told. This symbol designates the end of one World and the beginning of the next. If the top cross bar is missing that world has not manifested yet according to my teacher, Leon Secatero, former Navajo Headman. Leon explained that we are right now transitioning from the Fifth World into the Sixth World which is represented at the bottom. The left hand side represents the Sixth World and the hourglass at the top represents the transition into the Seventh World which has not happened yet. Therefore the top crossbar is absent.
Ancient civilizations built similar megalithic constructs all over the world in the far distant past.Therefore the same language appears in these ancient glyphs, on ceremonial objects, on calendars and in art forms. Language experts refer to the American examples as Pre-Classical Sanskrit.
Several of the symbols of this ancient language referred to as the Star Nation Language are carved in and painted on granite and limestone walls here in Montana, in the USA.
Changing of the World Symbol is an hourglass configuration that represents a wormhole/torus/tunnel between dimensions in time and space. This symbol is found throughout the ancient world and more recently discovered in crop circles and cymatic symbols. Changing of the World Symbol is a hypothetical topological feature that would fundamentally be a shortcut through space/time. A wormhole is much like a tunnel with two ends, each in separate points in space/time.
The Changing of the World Symbol is drawn in the sand over and over as the stories of the Ancient Ancestors are told. This symbol designates the end of one World and the beginning of the next. If the top cross bar is missing that world has not manifested yet according to my teacher, Leon Secatero, former Navajo Headman. Leon explained that we are right now transitioning from the Fifth World into the Sixth World which is represented at the bottom. The left hand side represents the Sixth World and the hourglass at the top represents the transition into the Seventh World which has not happened yet. Therefore the top crossbar is absent.
|
|
Changing of the World Symbol is an hourglass configuration that represents a wormhole/torus/tunnel between dimensions in time and space. This symbol is found throughout the ancient world and more recently discovered in crop circles and cymatic symbols. Changing of the World Symbol is a hypothetical topological feature that would fundamentally be a shortcut through space/time. A wormhole is much like a tunnel with two ends, each in separate points in space/time.
|
Herr Schildmann was the President of the Society of German Linguists. He was the first to decipher the Indus Valley texts which are mainly written in phonetic archaic or proto-Sanskrit. Since 1987 he has consistently claimed that the even more fascinating Burrow Caves (Illinois, USA) texts are also Proto-Sanskrit. |
Two horizontal Changing of the World Glyphs on the Burrows Cave Stones found in Illinois, USA.
|
Replica of Torazuka Kofun - Honshū, Japan
Note the Changing of the World hourglass symbol on the back wall.
Changing of the World Symbol in a petroglyph
Michael Pell suggests that the advanced technology of the ancient civilizations may have recorded a quasar that resulted in cataclysmic events which changed
the world. |
Changing of the World symbol in a
Navajo Sacred Artifact 
Cymatic representations of the Changing of the World Symbol formed in the four cardinal directions according to a specific sound frequency.
|
Changing of the World Hourglass Symbol at 8:00 on this disc found in Central Mexico along with 3,000 similar artifacts.
https://mysteriesrunsolved.com/2021/07/ancient-artefacts-found-in-mexico.html |
Changing of the World Symbol on the shoulder of this stone carving found in Columbia, South America.
Klaus Dona verified that this is the pre-sanskrit language that is found around the globe. |
Hourglass Star as seen through the Hubble Telescope
|
Replica of Torazuka Kofun - Honshū, Japan .
Note the Changing of the World hourglass symbol on the back wall 
Inscribed in the central lower left of this Ancient Viking Rune Calendar Stone from Norway is the Changing of the World Symbol without the top bar. This configuration is exactly how it is depicted on the top of the Navajo Calendar and the bottom of the pyramid stone found in Ecuador. The missing top bar indicates that the Changing of the World Cycle had not completed when the stone was carved.
|
Hourglass Changing of the World symbol is painted onto a symbol the Dogon call the Kanaga symbol
Graphic of a Black Hole
|
Adam Snyder posted petroglyphs he photographed in the Four Corners area of the American Southwest on February 17, 2022.
These images are the Changing of the World Symbol that is drawn over and over again in the sand when the Indigenous Navajo Elders teach about our true history in the annual ceremonies in New Mexico.
This hourglass symbol appears as the First World Symbol in the Changing of the Worlds Glyph I photographed here in Montana several years ago. The glyph is read right to left. The Popul Vuh as well as the direct quote from Leon Secatero regarding this same story begins, "We crossed the galactic plane into the First World...the First World was the world of "no color".
These images are the Changing of the World Symbol that is drawn over and over again in the sand when the Indigenous Navajo Elders teach about our true history in the annual ceremonies in New Mexico.
This hourglass symbol appears as the First World Symbol in the Changing of the Worlds Glyph I photographed here in Montana several years ago. The glyph is read right to left. The Popul Vuh as well as the direct quote from Leon Secatero regarding this same story begins, "We crossed the galactic plane into the First World...the First World was the world of "no color".
PYRAMID STONE FOUND DEEP UNDERGROUND
IN ECUADOR
IN ECUADOR
This Pyramid Stone was found in Ecuador in the same location as the World Map Stone depicting the continent of Atlantis.
Klaus Dona:The Hidden History of the Human Race in March 2010
https://www.youtube.com/watch?v=XmMwo1Xzgus
Klaus Dona:The Hidden History of the Human Race in March 2010
https://www.youtube.com/watch?v=XmMwo1Xzgus
Bottom of the Pyramid Stone found in Ecuador with yellow inlayed circles depicting the Constellation of Orion.
|
All Seeing Eye sculpture found in a cave in Ecuador
Changing of the World Symbol is on the bottom |
In this pyramid stone there is a phosphorescent green eye inlaid at the top of a thirteen step pyramid. This stone is the same configuration as the pyramid that appears on the face of the US one dollar bill according to Klaus Dona.
A German linguist expert translated this as "the son of the creator comes " which is close enough to the concept of the changing of the worlds. Every major religion purports a belief system based on the return of the gods just before or after an earth changing event. The second symbol will be familiar to Masons as the Masonic Compass.
The second symbol is similar to the Masonic Compass
The second symbol is similar to the Masonic Compass
In the ceremonies the Elders taught that the third symbol on the Pyramid Stone is the Six Directions Symbol denoting the directions of specific star systems. Sometimes this symbol is shown as the Eight Directions.
Brick of ziggurat with dog paw impressions from the old city of Ur. THIRD DYNASTY OF UR (about 2112-2004 BC) now in the British Museum.
Eight Directions Symbol a the top center of a Ziggurat brick found in the old city of UR. There is a Six Directions Symbol in a box on the top right. |
Two Eight Directions symbols in boxes on a sandstone wall in New Mexico. This photo was taken by Julie Ryder with permission of the Navajo Elders.
|
Zecharia Sitchin translated these symbols from the Sumerian cylinder seals. The Eight Directions Symbol, translated here as STAR, s enclosed in a box just like it appears on the sandstone block in New Mexico.
|
Cymatic sound frequency symbol of the Six Directions is a specific frequency.
|
|
Eight Directions Symbol appears on this cymatic chart as an F in the scale of C2.
https://yngstls.wordpress.com/.../music-notation-with.../ At the far right of the Ecuador Pyramid Stone is the Changing of the Worlds glyph. The top of which is still open. Leon Secatero, former Navajo Headman of the Canancito Band in New Mexico, taught about this calendar he named The Calendar of the Sixth World. Leon taught that the Changing of the World Glyph (described at the top of this page) represents a literal destruction and re-building of the world. When the glyph is closed the event has already occurred. When the glyph is open the event had not occurred at the time the glyph was depicting. |
|
This engraved stone was found deep in a tunnel in Ecuador.
Klaus Dona describes these glyphs as an example of the same language from a global civilization that existed over 6,000 years ago. This language has been found on rocks and clay in France, Easter Island, Malta, Turkey, Italy, Australia, Illinois, Utah and Montana.
Klaus Dona Hidden History 2014
https://www.youtube.com/watch?v=R4nbvcEx_cU
at 23:17 minutes.
This World Map Stone was found deep under Ecuador in the same tunnel as the Pyramid Stone,
"When prospectors in La Maná, Ecuador were digging for gold they unearthed more than they had bargained for when they unexpectedly stumbled upon 300 out of place artefacts which didn't quite fit in with our recorded history books. This curious haul included two rocks which depicts the earth perfectly from above and even includes the great pyramid of Giza, the artefacts were found in a tunnel roughly 100 meters underground.
"Interestingly many artefacts of pyramids were found in Ecuador and were generously given to revered Salesian monk father Carlos Crespi who was born in Italy in 1891 and resided in Ecuador and gained the trust of many of the indigenous people who ended up gifting many priceless artefacts to father Crespi who opened a museum of sorts in his home and ultimately proved beyond doubt that our history books aren't as straight forward as we are led to believe. So the big question remains how on earth (No pun intended) did our ancients map the earth without satellite capabilities or flight.? Much like many of the ancient maps such as the Piri Reis map which seemingly depicts the Antarctic land mass free of ice, who were these pin point accurate cartographers we have yet to fully identify.?"
Published on Facebook: Ancient Knowledge
oonrtsSedpt7i21f3r2mi898u8gp M7c0 Piilml9l332:tfm47cAah1c
"When prospectors in La Maná, Ecuador were digging for gold they unearthed more than they had bargained for when they unexpectedly stumbled upon 300 out of place artefacts which didn't quite fit in with our recorded history books. This curious haul included two rocks which depicts the earth perfectly from above and even includes the great pyramid of Giza, the artefacts were found in a tunnel roughly 100 meters underground.
"Interestingly many artefacts of pyramids were found in Ecuador and were generously given to revered Salesian monk father Carlos Crespi who was born in Italy in 1891 and resided in Ecuador and gained the trust of many of the indigenous people who ended up gifting many priceless artefacts to father Crespi who opened a museum of sorts in his home and ultimately proved beyond doubt that our history books aren't as straight forward as we are led to believe. So the big question remains how on earth (No pun intended) did our ancients map the earth without satellite capabilities or flight.? Much like many of the ancient maps such as the Piri Reis map which seemingly depicts the Antarctic land mass free of ice, who were these pin point accurate cartographers we have yet to fully identify.?"
Published on Facebook: Ancient Knowledge
oonrtsSedpt7i21f3r2mi898u8gp M7c0 Piilml9l332:tfm47cAah1c
ACCESSSING MULIT-SENSORY ROCK ART ENCYCLOPEDIAS
Five fingers and a thumb pictograph at Magpie Gulch in the Montana Megaliths, USA
Photograph by Julie Ryder |
Five long fingers without a thumb are depicted on this pictograph near Holter Lake behind the Sleeping Giant Mountain in Montana, USA.
Photograph by Julie Ryder |
Vast information experienced through several sensory channels simultaneously is embedded into ancient rock art. Accessed through physical contact these encyclopedias of ancient wisdom are overwhelming at first touch. Holographic images, harmonic sound frequencies, deep emotional connections, internal and surface physical touch sensations are experienced simultaneously.
Leon Secatero taught the protocols of the Original Instructions handed down for generations from the Star Nations. Then Leon took us to glyphs in New Mexico of DNA codons and hand prints with three, four, five and six fingers. He instructed us that if we chose to make a commitment to work with the Light Beings and the Star Nations that we could follow the protocols and then touch the hand prints. This was my first experience with multi-sensory downloads.
Leon Secatero taught the protocols of the Original Instructions handed down for generations from the Star Nations. Then Leon took us to glyphs in New Mexico of DNA codons and hand prints with three, four, five and six fingers. He instructed us that if we chose to make a commitment to work with the Light Beings and the Star Nations that we could follow the protocols and then touch the hand prints. This was my first experience with multi-sensory downloads.
|
Leon Secatero reads the glyphs on the Shaman Rock near Helena, Montana
|
ANT PEOPLE GLYPHS
Ant People Mural painted by Bowerman in 2004
Home of Bill and Julie Ryder in Helena, Montana
Home of Bill and Julie Ryder in Helena, Montana
Pictographs and petroglyphs record images of the Ant People throughout the American West.
"One of the most intriguing Hopi legends involves the Ant People, who were crucial to the survival of the Hopi—not just once but twice. The so-called “First World” (or world-age) was apparently destroyed by fire—possibly some sort of volcanism, asteroid strike, or coronal mass ejection from the sun. The Second World was destroyed by ice—Ice Age glaciers or a pole shift. During these two global cataclysms, the virtuous members of the Hopi tribe were guided by an odd-shaped cloud during the day and a moving star at night that led them to the sky god named Sotuknang, who finally took them to the Ant People—in Hopi, Anu Sinom . The Ant People then escorted the Hopi into subterranean caves where they found refuge and sustenance."
https://www.ancient-origins.net/myt.../ant-people-hopi-00927
"One of the most intriguing Hopi legends involves the Ant People, who were crucial to the survival of the Hopi—not just once but twice. The so-called “First World” (or world-age) was apparently destroyed by fire—possibly some sort of volcanism, asteroid strike, or coronal mass ejection from the sun. The Second World was destroyed by ice—Ice Age glaciers or a pole shift. During these two global cataclysms, the virtuous members of the Hopi tribe were guided by an odd-shaped cloud during the day and a moving star at night that led them to the sky god named Sotuknang, who finally took them to the Ant People—in Hopi, Anu Sinom . The Ant People then escorted the Hopi into subterranean caves where they found refuge and sustenance."
https://www.ancient-origins.net/myt.../ant-people-hopi-00927
A detail from Huzo Paddlety’s 120-foot mural at the corner of First and Main streets in Anadarko. Transcending the Plains depicts the history of the Kiowa.
https://www.oklahomatoday.com/travel/the-big-picture
https://www.oklahomatoday.com/travel/the-big-picture
Pictograph of Ant People in Kila, Montana
Photograph by Julie Ryder |
Ant People on an Egyptian Sarcophagus
|
LIGHT PHENOMENON SIMILAR TO PETROGLYPHS
Lilli Belo posted on the MEGALITHOMANIA Facebook site on December 29, 2025:
Light Phenomenons, carrying Spirits: PETROGLYPS
Obviously, It was a common thing to see by our ancestors all over the world !
My pic , frontdoor HD cam.
Light Phenomenons, carrying Spirits: PETROGLYPS
Obviously, It was a common thing to see by our ancestors all over the world !
My pic , frontdoor HD cam.
|
|
Ancient Knowledge Embedded in Rock Art in Montana
Four Fingered One Pictograph on Stickney Creek
Rock Art reflects the legends, vast knowledge and events in the lives of the People who inhabited and traveled through Montana during the changing epochs of time.
Indigenous Elders teach that the Ancient Ones left knowledge and messages for us embedded in these images. We are beginning to understand the impact of these images as many of them were created by Shamans. Some pictographs were re-painted during ceremonies each year
until it was forbidden at the turn of the last century. Much older images are engraved into the rock surfaces.
Indigenous Elders teach that the Ancient Ones left knowledge and messages for us embedded in these images. We are beginning to understand the impact of these images as many of them were created by Shamans. Some pictographs were re-painted during ceremonies each year
until it was forbidden at the turn of the last century. Much older images are engraved into the rock surfaces.
On the lower left side of the Four Fingered One Pictograph is an image of a long bodied being. It reminds me of the similar beings that were discovered with the Nazca Mummies in Peru.
|
|
Elongated heads and three fingers in the Nazca Mummies are genetic.
https://www.facebook.com/reel/702103922894434
https://www.facebook.com/reel/702103922894434
CEREMONIES THAT UPGRADE GENETIC CODES
Leon Secatero, Headman of the To'Hajiilee (formerly the Canoncito) Band of Navajo, gathered the Indigenous Elders from around the world to ceremony in New Mexico in 1999. Years later my husband and I were taken into ceremonies in the Holy Grounds centered around upgrading the human genetic codons.
Leon made the outline of symbols drawn with cornmeal in the sand around the central fire. Specific harmonic frequencies were toned by the Medicine Men as we were instructed to walk the labyrinth around the ancient symbols between the large quartz crystals and the central fire. A mound of sacred tobacco from the 18 mountains formed a pyramid shape on the blanket covered with symbols.
Some of the symbols that Leon drew in the sand were the same as the outer circle of the Calendar for the Next 500 Years. Leon had taught about this calendar for several years. We were told that this ceremony would alter our genetic codons to prepare us for the Changing from the Fifth World of Green and Glitter into the Sixth World of Crystal.
Leon taught that the semi- circular symbols on the outer ring on the right side related to the genetic DNA structures of Human Beings in the Fifth World. Following the circular pattern clockwise the break near the bottom depicts crossing the galactic plane into the Sixth World and the corresponding alteration in the genetic codes. The left side from the bottom up represents the Seventh World.
The final cross bar at the top of the The Changing of the Worlds (hourglass) symbol at the top of the calendar is missing which indicates that this world has not been completed.
A few of these same symbols are engraved into the sandstone walls at Chaco Canyon which is about 50 miles away from Ceremonial Grounds.
Leon made the outline of symbols drawn with cornmeal in the sand around the central fire. Specific harmonic frequencies were toned by the Medicine Men as we were instructed to walk the labyrinth around the ancient symbols between the large quartz crystals and the central fire. A mound of sacred tobacco from the 18 mountains formed a pyramid shape on the blanket covered with symbols.
Some of the symbols that Leon drew in the sand were the same as the outer circle of the Calendar for the Next 500 Years. Leon had taught about this calendar for several years. We were told that this ceremony would alter our genetic codons to prepare us for the Changing from the Fifth World of Green and Glitter into the Sixth World of Crystal.
Leon taught that the semi- circular symbols on the outer ring on the right side related to the genetic DNA structures of Human Beings in the Fifth World. Following the circular pattern clockwise the break near the bottom depicts crossing the galactic plane into the Sixth World and the corresponding alteration in the genetic codes. The left side from the bottom up represents the Seventh World.
The final cross bar at the top of the The Changing of the Worlds (hourglass) symbol at the top of the calendar is missing which indicates that this world has not been completed.
A few of these same symbols are engraved into the sandstone walls at Chaco Canyon which is about 50 miles away from Ceremonial Grounds.
|
|
Calendar of the next 500 years drawn by Leon Secatero when he was at our home in Helena, Montana in 2008. I was presented with the "cheat sheet" of the English translations of the numerical system that Leon taught by a Navajo Medicine Woman on my first day at Leon's home in March, 2006.
SACRED SYMBOLS
A few of these same symbols are engraved into the sandstone walls at Chaco Canyon which is about 61 miles away from the Holy Grounds.
On the far right is a tilted Changing of the Worlds (hourglass) glyph with the bottom cross bar missing.
Two variations of the symbol of what has become known as the "Squatting Man" are high up on the wall at Chaco Canyon. This symbol adorned the ceremonial staff.
Photograph by Julie Ryder
On the far right is a tilted Changing of the Worlds (hourglass) glyph with the bottom cross bar missing.
Two variations of the symbol of what has become known as the "Squatting Man" are high up on the wall at Chaco Canyon. This symbol adorned the ceremonial staff.
Photograph by Julie Ryder
Wayne Hershel posted this photo on Facebook with the notation: "Dogon tribe in Africa version has Hourglass built in."
The Changing of the World (hourglass) symbol is pained onto a symbol the Dogon call the Kanaga symbol.
The Kanga Symbol of the Dogan Tribe is also known as the Squatting Man.
"The Squatting Man or stickman figure is a prevalent symbol which is found in every culture and is often confused with a distorted version of the human form. The Squatter Man image is an archetype that has been carved into rocks or petroglyphs by prehistoric man which has been recorded by almost all nations and civilisation on the continents in ancient times.
"It was believed that the ancients painted colour rock art and started painting strange white shapes and figures where everyone started painting the same images at the same time. Many are speculating that these races were either in contact with one another or they were all inspired by the same event which could be the most likely way of having seen it, if the event was in the sky.
"The Squatting Man which has been recorded across the world is: Australia, Northern Europe, the United Arab Emirates and Malta. These images were the same and so inspiring that they had to be recorded for the people of the future generation."
https://medium.com/@rajkumarrr/history-mystery-the-squatting-man-8b0314a161e
"It was believed that the ancients painted colour rock art and started painting strange white shapes and figures where everyone started painting the same images at the same time. Many are speculating that these races were either in contact with one another or they were all inspired by the same event which could be the most likely way of having seen it, if the event was in the sky.
"The Squatting Man which has been recorded across the world is: Australia, Northern Europe, the United Arab Emirates and Malta. These images were the same and so inspiring that they had to be recorded for the people of the future generation."
https://medium.com/@rajkumarrr/history-mystery-the-squatting-man-8b0314a161e
Squatting Man Petroglyphs — High Energy Plasma Discharge Event
"The Squatter Man petroglyphs were mapped with their GPS location, orientation and its type by a group of scientist and their findings of 100,000s of Squatter Man petroglyphs had been analyzed and it was found that it pointed to a location in the southern sky, One of the most leading high energy Plasma Discharge research scientists in the world, Anthony Peratt recognized that the rock art or petroglyphs, geoglyphs and pictograms were the same as the result of what he had seen.
"Thereafter he carried out an extensive field study on cave drawings as well as rock art, all around the world. His discoveries were that these petroglyphs were a recording of a high energy Plasma Discharge event which was seen in the Earth’s atmosphere that was witnessed by the ancient people at that time.
"Chances of Synchrotron Radiation Release
If one searches for the Squatting Man and Tree of life images from across the world, one would notice that everyone had seen them and these associated images had been carved into rock. It was noticed that rock art went from being colorful paintings of the world to suddenly white surreal images which were chipped and painted white or red line together with outline which seemed to have occurred often on a global event."
https://medium.com/@rajkumarrr/history-mystery-the-squatting-man-8b0314a161e
"Thereafter he carried out an extensive field study on cave drawings as well as rock art, all around the world. His discoveries were that these petroglyphs were a recording of a high energy Plasma Discharge event which was seen in the Earth’s atmosphere that was witnessed by the ancient people at that time.
"Chances of Synchrotron Radiation Release
If one searches for the Squatting Man and Tree of life images from across the world, one would notice that everyone had seen them and these associated images had been carved into rock. It was noticed that rock art went from being colorful paintings of the world to suddenly white surreal images which were chipped and painted white or red line together with outline which seemed to have occurred often on a global event."
https://medium.com/@rajkumarrr/history-mystery-the-squatting-man-8b0314a161e
Dr. Robert Schoch
Ancient Plasma Hell Witnessed Worldwide in Petroglyphs
https://www.youtube.com/watch?v=sDYL-vXuguI
Ancient Plasma Hell Witnessed Worldwide in Petroglyphs
https://www.youtube.com/watch?v=sDYL-vXuguI
SPIRAL PICTOGRAPHS AND PETROGLYPHS
Petroglyph Site near Columbia River
|
My first Native American teacher, Vivian Harrison, at a petroglyph site near the Columbia River in Washington State. Vivian inherited a beautiful basket from her mother when she became an Elder at age 50. She taught basket weaving at the Yakama Nation Museum & Cultural Center in Toppenish, Washington.
https://www.nps.gov/places/yakama-nation-museum.htm |
November 26, 2020 Ian Yazzie identified a photo that I took of a pictograph which appears in Bear Gulch in Montana, USA. "I am Diné (Navajo). This pictograph looks similar to our Diné Holy Being: Haashch'eełtí'í (Talking God)" Bear Gulch Pictographs: https://www.atlasobscura.com/places/bear-gulch-pictographs |
|
PETROGLYPHS ON THE SHAMAN ROCK
Shaman Rock near Helena, Montana
|
Nancy Good played her flue on the Shaman Rock in 2013
|
I have escorted dozens of people, from around the world, to the Shaman Rock over the last 26 years. Drawing the lightning bolt symbol is a common experience when they access the energy. David Spencer. my intellectual mentor, showed me his discovery in 1998. (David transitioned on November 13, 2024).
|
|
In 2018, we took Leon Secatero, former Headman of the Canoncito Navajo, to the Shaman Rock near Helena, Montana. He read the glyphs on the side of the rock which were ancient symbols and star maps.
Vast information experienced through several sensory channels simultaneously is embedded into ancient rock art. Accessed through physical contact these encyclopedias of ancient wisdom are overwhelming at first touch.
Holographic images, harmonic sound frequencies, deep emotional connections, internal and surface physical touch sensations are experienced simultaneously.
Leon Secatero taught the protocols of the Original Instructions handed down for generations from the Star Nations. A few years earlier, Leon took us to glyphs in New Mexico that showed DNA codons and hand prints with three, four, five and six fingers. He instructed us that if we chose to make a commitment to work with the Light Beings and the Star Nations that we could follow the protocols and then touch the hand prints.
When accessing the energy vortex around the Shaman Rock many people experience seeing a lightning bolt symbol. Medicine People have downloaded the glyphs in a canyon above the Shaman Rock and then drawn a lightning bolt in the sand. We took Leon Secatero to the Shaman Rock in 2008. Leon read the petroglyphs on the rock and showed us the Star Maps embedded there.
I have escorted dozens of people, from around the world, to the Shaman Rock over the last 26 years. Drawing the lightning bolt symbol is a common experience when they access the energy. David Spencer. my intellectual mentor, showed me his discovery in 1998. (David transitioned on November 13, 2024).
That evening Leon spoke to me about the prophecies and visions that the Elders had kept hidden. He spoke of the "City of Light" that would be rebuilt in Helena. He tasked me to find the these ancient cities and take the knowledge to the world. The previous year, after the ceremonies in the Navajo, Leon had presented my husband, Bill Ryder, with a ceremonial blanket and said, "One of these blankets has never left our reserve in over a thousand years, but it must go to Helena, Montana. There will be a City of Light in Montana.
Ancient Technology Turned On
Vast information experienced through several sensory channels simultaneously is embedded into ancient rock art. Accessed through physical contact these encyclopedias of ancient wisdom are overwhelming at first touch.
Holographic images, harmonic sound frequencies, deep emotional connections, internal and surface physical touch sensations are experienced simultaneously.
Leon Secatero taught the protocols of the Original Instructions handed down for generations from the Star Nations. A few years earlier, Leon took us to glyphs in New Mexico that showed DNA codons and hand prints with three, four, five and six fingers. He instructed us that if we chose to make a commitment to work with the Light Beings and the Star Nations that we could follow the protocols and then touch the hand prints.
When accessing the energy vortex around the Shaman Rock many people experience seeing a lightning bolt symbol. Medicine People have downloaded the glyphs in a canyon above the Shaman Rock and then drawn a lightning bolt in the sand. We took Leon Secatero to the Shaman Rock in 2008. Leon read the petroglyphs on the rock and showed us the Star Maps embedded there.
I have escorted dozens of people, from around the world, to the Shaman Rock over the last 26 years. Drawing the lightning bolt symbol is a common experience when they access the energy. David Spencer. my intellectual mentor, showed me his discovery in 1998. (David transitioned on November 13, 2024).
That evening Leon spoke to me about the prophecies and visions that the Elders had kept hidden. He spoke of the "City of Light" that would be rebuilt in Helena. He tasked me to find the these ancient cities and take the knowledge to the world. The previous year, after the ceremonies in the Navajo, Leon had presented my husband, Bill Ryder, with a ceremonial blanket and said, "One of these blankets has never left our reserve in over a thousand years, but it must go to Helena, Montana. There will be a City of Light in Montana.
Ancient Technology Turned On
Why are these 32 symbols found in caves all over Europe?
"Written language, the hallmark of human civilization, didn't just suddenly appear one day. Thousands of years before the first fully developed writing systems, our ancestors scrawled geometric signs across the walls of the caves they sheltered in. Paleoanthropologist and rock art researcher Genevieve von Petzinger has studied and codified these ancient markings in caves across Europe. The uniformity of her findings suggest that graphic communication, and the ability to preserve and transmit messages beyond a single moment in time, may be much older than we think."
Why are these 32 symbols found in caves all over Europe | Genevieve von Petzinger | TED
https://www.youtube.com/watch?v=hJnEQCMA5Sg
Why are these 32 symbols found in caves all over Europe | Genevieve von Petzinger | TED
https://www.youtube.com/watch?v=hJnEQCMA5Sg
ACCESSING THE GLYPHS
In ceremony on the Navajo we are taught to drop corn pollen, tobacco or corn meal and step on it four times leading up to the glyph. Then in a meditative state we touch the glyphs and "download".
My first experience was placing my left hand on a glyph of a five fingered hand print and my right hand on the three fingered print...then the four fingered print...then the six fingered glyph. The instructions were that we were to make a commitment to work with the Star Nation People that the hand prints represented. I placed my right knee in a concave area and touched the glyphs. I felt as if I was falling into the sandstone wall.
Vast visions and information came to me. It was like traveling through a star gate. When the visions stopped I sat down and began drawing glyphs and star systems in the sand. Leon Seatero watched me for a while and asked what the glyphs meant. It told him my understanding so far and he replied, "You are the one we have dreamed of...come with me." Then I was instructed to bring my husband next time.
Leon took me to this glyph and later asked me to return and photograph it.
My first experience was placing my left hand on a glyph of a five fingered hand print and my right hand on the three fingered print...then the four fingered print...then the six fingered glyph. The instructions were that we were to make a commitment to work with the Star Nation People that the hand prints represented. I placed my right knee in a concave area and touched the glyphs. I felt as if I was falling into the sandstone wall.
Vast visions and information came to me. It was like traveling through a star gate. When the visions stopped I sat down and began drawing glyphs and star systems in the sand. Leon Seatero watched me for a while and asked what the glyphs meant. It told him my understanding so far and he replied, "You are the one we have dreamed of...come with me." Then I was instructed to bring my husband next time.
Leon took me to this glyph and later asked me to return and photograph it.
|
|
THE GIFT PETROGLYPH IN NEW MEXICO
INDIAN FACE ROCK AND PICTOGRAPH SITE
Near Indian Face Rock, north of Wolf Creek, Montana is a pictograph site that Bill and I explored over 15 years ago. The owners of the Bungalow named this monument. With permission from the Ranch Manager, we photographed the site.
Shamans have recorded their visions on rock for tens of thousands of years. Paintings and glyphs of their visitations to alternate realities are similar throughout the world.
Pictographs and petroglyphs are often maps of specific locations in the Spirit World as well as the entry and exit points. A singular cave is the entrance to a specific realm in the Spirit World used by shamans for centuries to access the knowledge and power of that particular designated alternate world. |
|
KILA PICTOGRAPH SITE
Kila Pictograph Site in Montana, USA
Photograph by Julie Ryder
Photograph by Julie Ryder
Horned Man in the Kila Pictograph Site
Montana, USA Photograph by Julie Ryder |
Rock Art reflects the legends, vast knowledge and events in the lives of the People who inhabited and traveled through Montana during the changing epochs of time. Indigenous Elders teach that the Ancient Ones left knowledge and messages for us embedded in these images. We are beginning to understand the impact of these images as many of them were created by Shamans. Some pictographs were re-painted during ceremonies each year until it was forbidden at the turn of the last century. Much older images are engraved into the rock surfaces. |
PRYOR PETROGLYPH SITE
Petroglyphs in the Pryor Mountains in Montana, USA
Photograph by Bill Ryder
Photograph by Bill Ryder
ORIGINS OF THE WORLD WIDE ANCIENT
GLOBAL LANGUAGE
GLOBAL LANGUAGE
In October 2015, I came across an article about the undecipherable script of the Vinca culture that flourished from about 6000 BC to 3000 BC in Yugoslavia and western Romania. Evidence shows that the Vinca were an early, very sophisticated Goddess Culture. Several of these symbols are familiar to me as I have seen them on numerous examples of the ancient global language. A few of them are depicted in various forms on this website.
http://www.messagetoeagle.com/mysterious-ancient-vinca-culture-and-its-undeciphered-script/
http://www.messagetoeagle.com/mysterious-ancient-vinca-culture-and-its-undeciphered-script/
|
|
The Tartaria Tablet dates around 5,500 BC. They were found in Romania and are remnants of the Vinca culture. This single tablet contains the Changing of the World Symbol...the double cross..and hourglass Changing of the World Symbol.
There are several glyphs from the World Wide Ancient Language on this Bronze Hand found in Spain.
"The discovery of the Hand of Irulegi has opened a new horizon to unravel the history behind the most enigmatic language still alive in Europe: the Basque language."
Most modern European languages — including Germanic, Celtic, Slavic, and Latin languages — stem from the Indo-European family of languages. However, linguists consider the Basque language a "language isolate," meaning it has no direct connection to any other modern language. For years, linguists have puzzled over the origins of Basque. Now, researchers say a bronze amulet recently uncovered at an Iron-Age fort in Spain may offer new insight into this mysterious language.
The hand-shaped amulet bears an inscription that researchers believe represents the oldest example of Vasconic, an ancient European language group that may be related to Basque. The first word on the amulet, written in Latin script, is "sorioneku" — similar to the Basque word "zorioneko," which means "good fortune." Because of this similarity, researchers hypothesize that the two words hold similar meanings and that ancient Vascones may have hung this amulet outside of a building for good luck. Learn more about this astonishing find: https://inter.st/zb9e
"The discovery of the Hand of Irulegi has opened a new horizon to unravel the history behind the most enigmatic language still alive in Europe: the Basque language."
Most modern European languages — including Germanic, Celtic, Slavic, and Latin languages — stem from the Indo-European family of languages. However, linguists consider the Basque language a "language isolate," meaning it has no direct connection to any other modern language. For years, linguists have puzzled over the origins of Basque. Now, researchers say a bronze amulet recently uncovered at an Iron-Age fort in Spain may offer new insight into this mysterious language.
The hand-shaped amulet bears an inscription that researchers believe represents the oldest example of Vasconic, an ancient European language group that may be related to Basque. The first word on the amulet, written in Latin script, is "sorioneku" — similar to the Basque word "zorioneko," which means "good fortune." Because of this similarity, researchers hypothesize that the two words hold similar meanings and that ancient Vascones may have hung this amulet outside of a building for good luck. Learn more about this astonishing find: https://inter.st/zb9e
WORLD WIDE ANCIENT GLOBAL LANGUAGE
|
|
Sumerian-Aryan Evolution of the Alphabet
Andrea Milanesi commented:
"Julie Ryder The interconnected web of symbols stretches across the vast expanse of human history, weaving a tapestry of meaning that transcends borders and cultures. These timeless symbols, etched in the annals of antiquity, speak a universal language that resonates with the collective consciousness of humanity. Like echoes from a distant past, they evoke a sense of unity and community that binds us in a shared heritage of wisdom and mystery. As we stare at these ancient pictograms, we are reminded of the enduring power of symbols in closing the gap between past and present, unlocking secrets of the cosmos that lie hidden in plain sight."
"Julie Ryder The interconnected web of symbols stretches across the vast expanse of human history, weaving a tapestry of meaning that transcends borders and cultures. These timeless symbols, etched in the annals of antiquity, speak a universal language that resonates with the collective consciousness of humanity. Like echoes from a distant past, they evoke a sense of unity and community that binds us in a shared heritage of wisdom and mystery. As we stare at these ancient pictograms, we are reminded of the enduring power of symbols in closing the gap between past and present, unlocking secrets of the cosmos that lie hidden in plain sight."
Ancient civilization built similar megalithic constructs all over the world in the far distant past. There is mounting evidence that these megalithic structures were destroyed by cycles of cataclysmic events as described in the Indigenous Original Teachings.
Therefore the same language appears in these ancient glyphs, on ceremonial objects, on calendars and in art forms in conjunction with evidence of these ancient world wide civilizations. Language experts refer to the American examples as Pre-Classical Sanskrit. Several of the symbols of this ancient language are carved into and painted on granite and limestone walls here in Montana, USA.
https://www.youtube.com/watch?v=LIvge2-y35I&app=desktop
Therefore the same language appears in these ancient glyphs, on ceremonial objects, on calendars and in art forms in conjunction with evidence of these ancient world wide civilizations. Language experts refer to the American examples as Pre-Classical Sanskrit. Several of the symbols of this ancient language are carved into and painted on granite and limestone walls here in Montana, USA.
https://www.youtube.com/watch?v=LIvge2-y35I&app=desktop
PICTOGRAPHS AT GATES OF THE MOUNTAINS COMPLEX
Gates of the Mountains Pictograph Site
It appears that two white eyes are staring at you as you approach the Gates of the Mountains Pictograph Site on the Missouri River.
|
|
A profile of a human male is imbedded in the rock under the paint indicating
that it was there first.
that it was there first.
|
|
ASTRO-ARCHAEOLOGY AT THE MONTANA MEGALITHS
Years ago while hunting for rock art near Helena, Montana USA I was led to a white rock outcropping above Canyon Ferry Lake on the Missouri River. Much later, after seven years of discovering and researching the Montana Megalith I have learned to "see". I returned to the pictograph site and photographed the rocks just above the glyphs from just the right angle. There it was. The silhouette of an ancient stone face that I named White Face.
Fish Pictograph
Horse Pictograph
|
Thunderbird or Eagle Pictograph
White Face Pictographs
|
Michael Pell figured out the astrological correlations related to the imagery in this pictograph panel and illustrated these findings with a star map of the constellations and their relative positions.
See more details on this page: Archeoastronomy
See more details on this page: Archeoastronomy
Below the White Face is very sophisticated rock art. A fish appears with a huge eye and three-dimensional scales fading to black at the tail fin. In the ancient system of astrology the fish symbol represents Pisces.
A silhouetted horse head. chest and and front legs emerges from a fissure in the rock wall. The left front hoof morphs into fingers. The constellation of Pegasus is represented by a flying horse.
Note how the artist used the curved rock to enhance the eye and the beak of the Eagle or Thunderbird. Stripes in the rock create a feathered flowing movement. The Thunderbird or Eagle represents the constellation of Aquilla. "Aquila is a constellation on the celestial equator. Its name is Latin for 'eagle' and it represents the bird that carried Zeus/Jupiter's thunderbolts in Greek-Roman mythology." Wiki
A silhouetted horse head. chest and and front legs emerges from a fissure in the rock wall. The left front hoof morphs into fingers. The constellation of Pegasus is represented by a flying horse.
Note how the artist used the curved rock to enhance the eye and the beak of the Eagle or Thunderbird. Stripes in the rock create a feathered flowing movement. The Thunderbird or Eagle represents the constellation of Aquilla. "Aquila is a constellation on the celestial equator. Its name is Latin for 'eagle' and it represents the bird that carried Zeus/Jupiter's thunderbolts in Greek-Roman mythology." Wiki
ORION GLYPH---BIG DIPPER SYMBOL
Orion Glyph in New Mexico
Photograph by Julie Ryder |
The "Swastika Stone" in Woodhouse Crag in West Yorkshire, United Kingdom.
https://en.wikipedia.org/wiki/Swastika_Stone |
I took this first photograph of the Orion glyph in New Mexico in 2007 with permission from the Navajo Elder after the yearly ceremonies. The design is extruded (protrudes outward from the stone) as opposed to carved into the stone like the similar design in the British Isles and Italy. I photographed other glyphs in the same area in New Mexico that were carved into the stone.
The "Swastika Stone" is a stone adorned with an ancient sun symbol located on the Woodhouse Crag in West Yorkshire, United Kingdom.
This design is unique in the British Isles according to Wikipedia. However, the same glyph appears in Italy and New Mexico in exact detail including the nine cup marks.
http://en.wikipedia.org/wiki/Swastika_Stone
Wayne Hershel shows and correlates this same image at 3:47 minutes in this short video: https://www.facebook.com/wayneherschel2/videos/396438439056352
The "Swastika Stone" is a stone adorned with an ancient sun symbol located on the Woodhouse Crag in West Yorkshire, United Kingdom.
This design is unique in the British Isles according to Wikipedia. However, the same glyph appears in Italy and New Mexico in exact detail including the nine cup marks.
http://en.wikipedia.org/wiki/Swastika_Stone
Wayne Hershel shows and correlates this same image at 3:47 minutes in this short video: https://www.facebook.com/wayneherschel2/videos/396438439056352
"The Camunian rose (or in Italian Rosa camuna) is the name given to a particular symbol represented among the rock carvings of Val Camonica in Italy.
https://en.wikipedia.org/wiki/Camunian_rose Joslyn Cuzco This is in Italy. Also in Malta. Unity symbol variations found on pretty much all continents |
|
|
Michael Pell writes:
I also can see depending when these glyphs were created, an indication of Ursa Minor as it spins around our current pole star position of Polaris. Seen here in an overly between how it would appear throughout the year and over the glyph. One possible key is the listed glyph locales are in the northern hemisphere where Polaris/Ursa Minor is visible all the time. |
|
|
Michael Pell continues:
While this glyph resembles the swastika symbol (back when it was a positive symbol in ancient times) we have shown how Ursa Major (the Big Dipper) throughout the year makes a similar pattern in the sky as seen in the accompanying photo. Though what a few recognize is, the same swastika pattern to a lesser extent is made by Ursa Minor (the Little Dipper). What is important is it contains the current pole star Polaris of which the northern sky appears to rotate around. This phenomenon occurring once per precessional cycle due to Earth’s wobbling axis. |
For more information about the pictographs and petroglyphs in Montana see this page on my first website:
https://www.galacticfacets.com/ancient-pictographs.html
https://www.galacticfacets.com/ancient-pictographs.html
EIGHT DIRECTIONS GLYPH IN NEW MEXICO
Eight Direction Glyph
Photograph by Julie Ryder with the permission of the Navajo Headman, 2006
Photograph by Julie Ryder with the permission of the Navajo Headman, 2006
This Eight Directions Symbol, carved into a petroglyph in New Mexico, was explained by the Elders as being a frequency pattern. When I touched this glyph I felt/heard/experienced the essence of the frequency and downloaded vast information which is difficult to explain in English. I was instructed to take this photograph in New Mexico in 2006 and when the time was right to teach this knowledge to the Western Mind. The time is now.
This Eight Directions Symbol and the Anasazi "Swastika" Glyph" photo (above) were taken by Julie Ryder at a Navajo Reservation outside Albuquerque, NM. It is private reservation land and no one is allowed there unless you are accompanied by a Navajo Elder. These photos were taken with the permission of the Headman in what is known as "Holy Land" which is a different area than the ceremonial land which is miles away. Photos are never allowed in the Ceremonial Land.
The Elders have not allowed photographs even in the Holy Land until a visiting prominent Chief requested photos and I was allowed to take photos of specific glyphs near the Elder's home on private reservation land only. This chief had traveled with Leon to the homelands of several Indigenous Elders to invite them to the NM ceremonies.
When we approached the Holy Land a Navajo man with a rifle popped up out of the rocks. The Elder signaled him and he disappeared. This area is heavily guarded. I was given instruction that when certain events happened I was to publish these photos to teach the "Western Mind". I was instructed in 2011 by the visiting Chief to develop a website.
Anasazi "Swastika" Glyph https://www.facebook.com/julie.ryder.5095/posts/1562319167216995?pnref=story
Eight Directions Glyph
https://www.facebook.com/julie.ryder.5095/posts/1563259523789626?pnref=story
Pyramid Stone
https://www.facebook.com/julie.ryder.5095/posts/1563363243779254?pnref=story
This Eight Directions Symbol and the Anasazi "Swastika" Glyph" photo (above) were taken by Julie Ryder at a Navajo Reservation outside Albuquerque, NM. It is private reservation land and no one is allowed there unless you are accompanied by a Navajo Elder. These photos were taken with the permission of the Headman in what is known as "Holy Land" which is a different area than the ceremonial land which is miles away. Photos are never allowed in the Ceremonial Land.
The Elders have not allowed photographs even in the Holy Land until a visiting prominent Chief requested photos and I was allowed to take photos of specific glyphs near the Elder's home on private reservation land only. This chief had traveled with Leon to the homelands of several Indigenous Elders to invite them to the NM ceremonies.
When we approached the Holy Land a Navajo man with a rifle popped up out of the rocks. The Elder signaled him and he disappeared. This area is heavily guarded. I was given instruction that when certain events happened I was to publish these photos to teach the "Western Mind". I was instructed in 2011 by the visiting Chief to develop a website.
Anasazi "Swastika" Glyph https://www.facebook.com/julie.ryder.5095/posts/1562319167216995?pnref=story
Eight Directions Glyph
https://www.facebook.com/julie.ryder.5095/posts/1563259523789626?pnref=story
Pyramid Stone
https://www.facebook.com/julie.ryder.5095/posts/1563363243779254?pnref=story
THUNDERBIRD
Thunderbird on the Pink Suspended Wall on the second circular terrace of
Mystery Rock Prime Rolling Stones Megacomplex |
Thunderbird Petroglyph covered in snow
Millstone Bluff, in Pope County Illinois |
SQUATTING MAN SYMBOL
Squatting Man or what the Dogon call the Kanaga symbol is found world wide.
lhttp://www.viewzone.com/clovisart22.html
Plasma physics explanation of pictographs is an attempt to explain how in man’s prehistory recordings of high-energy-density phenomena ( aurora fields) could have been carved on rock in an accurate, systematic, and apparently temporally reliable fashion.
lhttp://www.viewzone.com/clovisart22.html
Plasma physics explanation of pictographs is an attempt to explain how in man’s prehistory recordings of high-energy-density phenomena ( aurora fields) could have been carved on rock in an accurate, systematic, and apparently temporally reliable fashion.
Electric Geology - Oct 2024, David DuByne overviews Andy Hall and his own work
https://www.youtube.com/watch?v=rpVEmmvmBKw
https://www.youtube.com/watch?v=rpVEmmvmBKw
The Flower of Life is an ancient symbol found throughout the world. A fundamental pattern of sacred geometry. The flower of life encodes the structure of the fabric of our reality.
Scotland (1), Israel (2), China (3), Turkey (4), Egypt (5), India (6), Germany (7), Bulgaria, Sweden (9), France (10), Czech Republic (11), Greece (12)
Scotland (1), Israel (2), China (3), Turkey (4), Egypt (5), India (6), Germany (7), Bulgaria, Sweden (9), France (10), Czech Republic (11), Greece (12)
PICTOGHRPH ON THE LEWIS AND CLARK TRAIL
Lewis and Clark National Historic Trail:
About 130 years before Lewis and Clark, Father Jacques Marquette and Louis Joliet paddled down the Mississippi River and came across a substantial pictograph of two large figures on the side of a bluff near Alton, Illinois.
Marquette wrote in 1673: “While Skirting some rocks, which by Their height and length inspired awe, We saw upon one of them two painted monsters which at first made Us afraid, and upon Which the boldest savages dare not Long rest their eyes. They are as large As a calf; they have Horns on their heads Like those of a deer, a horrible look, red eyes, a beard Like a tiger's, a face somewhat like a man's, a body Covered with scales, and so Long A tail that it winds all around the Body, passing above the head and going back between the legs, ending in a Fish's tail. Green, red, and black are the three Colors composing the Picture. Moreover, these 2 monsters are so well painted that we cannot believe that any savage is their author; for good painters in france would find it difficult to reach that place Conveniently to paint them."
Later, illustrations for publications altered the original pictograph to include wings on the beasts, and different stories circulated about their origin. A version published in 1847 in the “Illinois Journal,” the beast became known as the “Piasa Bird.”
Today, the mouth of Piasa Creek is about 12 miles from the estimated site of Camp River Dubois. We have no information in the journals which tells us the Captains ventured north to see these pictographs.
Unfortunately, the face of the bluff was gradually quarried away for the purpose of making lime and the paintings probably disappeared around 1845.
Today, a modern-day version of the Piasa (with the wings) has been painted on a rock face at Piasa Park in Alton.
Image: 1678 map of the “Discovery of the Illinois Country made by Mr. Joliet,” created by Jean Baptiste Louis Franquelin.
About 130 years before Lewis and Clark, Father Jacques Marquette and Louis Joliet paddled down the Mississippi River and came across a substantial pictograph of two large figures on the side of a bluff near Alton, Illinois.
Marquette wrote in 1673: “While Skirting some rocks, which by Their height and length inspired awe, We saw upon one of them two painted monsters which at first made Us afraid, and upon Which the boldest savages dare not Long rest their eyes. They are as large As a calf; they have Horns on their heads Like those of a deer, a horrible look, red eyes, a beard Like a tiger's, a face somewhat like a man's, a body Covered with scales, and so Long A tail that it winds all around the Body, passing above the head and going back between the legs, ending in a Fish's tail. Green, red, and black are the three Colors composing the Picture. Moreover, these 2 monsters are so well painted that we cannot believe that any savage is their author; for good painters in france would find it difficult to reach that place Conveniently to paint them."
Later, illustrations for publications altered the original pictograph to include wings on the beasts, and different stories circulated about their origin. A version published in 1847 in the “Illinois Journal,” the beast became known as the “Piasa Bird.”
Today, the mouth of Piasa Creek is about 12 miles from the estimated site of Camp River Dubois. We have no information in the journals which tells us the Captains ventured north to see these pictographs.
Unfortunately, the face of the bluff was gradually quarried away for the purpose of making lime and the paintings probably disappeared around 1845.
Today, a modern-day version of the Piasa (with the wings) has been painted on a rock face at Piasa Park in Alton.
Image: 1678 map of the “Discovery of the Illinois Country made by Mr. Joliet,” created by Jean Baptiste Louis Franquelin.
Relevant comments from Facebook:
Teri Gilfilen: commented:
Piasa meaning bird who devours man… in Algonquin? Interesting Julie… in the Yavapai (Camp Verde Az )creation mythology; the first born man (after the flood) named Skarakaamamche slayed a similar creature; which then turned to stone . Still visible atop a butte. More dragon references from the original peoples.
Michael Pell: Kind of comes across as an Ouroboros of sorts, or perhaps referring to a repetitive cycle (of events?).
The Green, Red and Black appears to have alchemical references from my understanding.
Piasa meaning bird who devours man… in Algonquin? Interesting Julie… in the Yavapai (Camp Verde Az )creation mythology; the first born man (after the flood) named Skarakaamamche slayed a similar creature; which then turned to stone . Still visible atop a butte. More dragon references from the original peoples.
Michael Pell: Kind of comes across as an Ouroboros of sorts, or perhaps referring to a repetitive cycle (of events?).
The Green, Red and Black appears to have alchemical references from my understanding.
Marcus Summers: It's a map
Lillie Ruby: Maybe a star map? The "horns" look like crab claws to me. The humps along the back remind me a bit of the construction of the Ohio serpent.
Marcus Summers: Star map may very well be possible. My initial impression was a map of the Midwestern First People mound cities.
Julie Ryder: The large crab claws on the side of Turtle Moon Eyes may also refer to the Cancer Constellation.
Lillie Ruby: Maybe a star map? The "horns" look like crab claws to me. The humps along the back remind me a bit of the construction of the Ohio serpent.
Marcus Summers: Star map may very well be possible. My initial impression was a map of the Midwestern First People mound cities.
Julie Ryder: The large crab claws on the side of Turtle Moon Eyes may also refer to the Cancer Constellation.
|
|
Turtle Moon Eyes in the Rolling Stones Complex in the Montana Megaliths South.
Véronique Kerdranvat Posted:
" did the descendants of the hyperboreans have, wanted to communicate and prevent the following generations through a universal language? Geometric Shapes known as runes had been found engraved on many ancient tablets. My investigation was more and more exciting when I learned that runes, the ancient alphabet of the north, came from runar, meaning ' ' secret writing '. '' in addition, comrunos meant the insider in the gauls and in breton, rin meant secret, wisdom. It was obvious that these signs were sent to us by an ingenious and non-primitive people! The oldest dates, scientific, were engraved in the stone 8 years ago. But many researchers claimed that this writing, called of, was much older, and dates from the end of prehistory. The Original Alphabet, the futhark had 24 runes, just like the 24 planets of the dogon!
Flabbergasted, I thought, that these sacred scriptures looked like those found on the tablets of vinca in Romania, as well as in the caves of the mysterious forest of fontainebleau, near Paris, and those of glozel in the allier. These geometric signs were identical to those that had been discovered in China, near the prehistoric site of banpo that I visited in 1992. All these symbols had a connection with a disappeared civilization."
vkerdranvat 2016 the secret teachings
(Translation has issues however the message is fascinating).
" did the descendants of the hyperboreans have, wanted to communicate and prevent the following generations through a universal language? Geometric Shapes known as runes had been found engraved on many ancient tablets. My investigation was more and more exciting when I learned that runes, the ancient alphabet of the north, came from runar, meaning ' ' secret writing '. '' in addition, comrunos meant the insider in the gauls and in breton, rin meant secret, wisdom. It was obvious that these signs were sent to us by an ingenious and non-primitive people! The oldest dates, scientific, were engraved in the stone 8 years ago. But many researchers claimed that this writing, called of, was much older, and dates from the end of prehistory. The Original Alphabet, the futhark had 24 runes, just like the 24 planets of the dogon!
Flabbergasted, I thought, that these sacred scriptures looked like those found on the tablets of vinca in Romania, as well as in the caves of the mysterious forest of fontainebleau, near Paris, and those of glozel in the allier. These geometric signs were identical to those that had been discovered in China, near the prehistoric site of banpo that I visited in 1992. All these symbols had a connection with a disappeared civilization."
vkerdranvat 2016 the secret teachings
(Translation has issues however the message is fascinating).
Montana Megaliths You Tube Channel:
https://www.youtube.com/channel/UCdFeIhHZdjebI7WPgN-guhQ
Julie Ryder's Facebook
https://www.facebook.com/julie.ryder.5095
https://www.youtube.com/channel/UCdFeIhHZdjebI7WPgN-guhQ
Julie Ryder's Facebook
https://www.facebook.com/julie.ryder.5095
Copyright by Julie Ryder 2011 through 2024