The Great Reveal

We are offering tours to the Montana Megaliths:

TOURS Montana Megaliths

You are most welcome to visit us at the Montana Megaliths. When you make an original discovery you are credited and the site is documented. The thrill of all my lifetimes has been discovering previously unknown megaliths.

Timothy Akers and Andrew Barker invested in a year long project utilizing satellite deep scans to verify the Montana Megaliths in 2017. Andrew Barker verified a few of the sites with boots on the ground. 85% of the Montana Megaliths are underground.

I sent the GPS of several megalithic sites to Andrew Barker and Timothy Akers. Andrew tasked a satellite to scan the area. Each satellite image is 5 square miles. If Timothy found megaliths, Andrew Barker purchased satellite images of the adjacent 5 square miles and they continued to search above and underground.
The Great Reveal

HAWARA ANNOUNCEMENT

Hawara Satellite Scan Briefing (Original 2015 Recording) | Lost Labyrinth of Egypt just went public for the first time:
https://odysee.com/.../Hawara-Satellite-Scan-Briefing....

This is a compilation filmed by two cameras of the Harrogate Briefing of the Hawara Labyrinth satellite deep scans. It is unedited raw footage. I had to watch it over and over and take copious notes in order to get a handle on how vast and large the Hawara Complex is.
Congratulations to Andrew Barker and Louis De Cordier for their years of dedication to the truth about the Hawara Labyrinth. Honoring to the late Timothy Akers whose genius and tenacity made it all happen.

Andrew Barker at the Harrogate Briefing

Timothy Akers explains ancient alien technology at 1:27:57 minutes.
https://odysee.com/.../Hawara-Satellite-Scan-Briefing....

This page is dedicated to Louis De Cordier
See his complete reveal of the Hawara Labyrinth under Egypt here:
Louis De Cordier Substack:
https://labyrinthofegypt.substack.com/

"I Scanned Egypt's Labyrinth & the Results Got Me Exiled" (Scans Revealed) | Louis De Cordier
https://www.youtube.com/watch?v=p79WtVYCD
August 28, 2026

Louis DeCordier, Trevor Grassi and William Brown reveal the satellite deep scans of Hawara Labyrinth under Egypt
Hawara Rising: 40 meter metal object discovered in Egypt's subterranean labyrinth: EXCLUSIVE REPORT!
https://www.youtube.com/watch?v=Gm70-UBqY_g&t=8100s

Louis DeCordier and Trevor Grassi
HAWARA RISING 2: Excavation reveals megalithic wall of the lost Labyrinth of Egypt! On-site Updates!
https://www.youtube.com/watch?v=dXdUxFS4UmM
July 22, 2026

"This video includes on-site footage from my Egypt tour with Mohamed Ibrahim in March, when excavations at Hawara first began. Then I share an interview I recorded with Louis De Cordier in Italy recently, in which he gives insights into the coordination of the new Hawara Mission. Finally, I include an update from last week with Yousef Sayed Bdaway, with new photos of the megalithic wall uncovered by the first few months of excavation."

Andrew Barker and Timothy Akers invested in a year long research project at the Montana Megaliths utilizing this same satellite scan technology that was developed by Timothy Akers.
Intentional Ancient Construction

The major reason that I am documenting the majority of Louis De Cordier's revelations about Hawara on my own website is that his work has been deleted, censored, and removed from public domain over and over again as has my own work on the Montana Megaliths. I am printing a hard copy. I am saving it to a hard drive even though hard drives can be hacked. I am preserving this for my own reference and for future generations.

Trevor Grassi is with Labyrinth of Egypt and Louis De Cordier
Posted July 30, 2026
As Hawara’s excavations take place, let’s take a moment to honor the man who started it all! It was the Mataha Expedition of 2008 that first proved to the world that the labyrinth structure still exists, when all previous expeditions had led to an assumption that it was gone, funding a professional team from the National Research Institute of Astronomy and Geophysics to carry out GPR scans.

That never would have happened without years of selfless dedication from Louis De Cordier, who envisioned the entire thing, and worked very hard behind the scenes to manifest it.
Without that mission, Dr. Carmen Boulter, Klaus Dona, Andrew Barker, Tim Akers, etc, would never have likely taken such an interest in Hawara, or carried out their deeper scans in 2014-2015. Louis was there again, helping them, and without his disclosure of Tim Akers’ scans, after his NDA expired last year, and his previous work, there would be no excavation happening today. Louis fought, against all threats and intimidations, to bring attention and transparency to Hawara, and to highlight its importance, for nearly two decades now, and that's exactly what he accomplished.

As Louis and I have become close friends over the last few years, I can assure you that he is the very definition of integrity. He has humbly, honestly and selflessly worked towards the greater enlightenment of humanity, with no expectation of personal gain, glory or aggrandizement. He works for all mankind. He has already contributed more to the world than most anyone I’ve ever met, and he's still giving his blood, sweat and tears to the mission, even today. That's why I call him a friend, and choose to give him the respect he deserves. I consider it a great honor to be working with him.

As someone who has been passionately researching Hawara, even before the Mataha Expedition, I can tell you one thing with absolute certainty.
Hawara would not be rising without Louis. End of story.

The Hawara Playlist: https://www.youtube.com/playlist...
The Hawara Master Plan: https://archaeologicalrescue.org/hawara/
Meet Louis at Hawara: https://archaeologicalrescue.org/egypttour/

Andrew Barker, Groppi coffee shop, Cairo 04.10. 2015
© Louis De Cordier

Andrew Barker commented:
"Only Louis had the vision to see Petrie’s Labyrinth floor was in fact the roof. Then had the balls over decades to see if he was right!"
Posted on FB on July 30, 2026

Louis De Cordier

HAWARA FIELD RESEARCH STATION— Advancing Heritage Through Technology
A vision for the future of archaeology.

The Hawara Field Research Station is conceived as a next-generation archaeological hub: a place where field archaeology, geophysics, remote sensing, AI, conservation science and sustainable architecture converge to investigate and protect one of Egypt’s greatest ancient enigmas.

But this is also a vision for where archaeology could go next — beyond the traditional excavation camp and into a new era of scientific exploration.

These conceptual images are AI-rendered visualisations created by Louis De Cordier. They are not photographs or representations of an existing building, but an attempt to make a future vision tangible: to imagine how we can move archaeology into the future — and perhaps even into the space age.

A research station designed not only to study the past, but to help shape the future of how humanity explores, understands and preserves its ancient heritage.
HAWARA FIELD RESEARCH STATION
Archaeology for the next frontier.

August 21, 2026

LOUIS DE CORDIER CONFESSES

Fresh from my nest in the mountains of the Sierra Nevada, Spain. .

I have never claimed to be an official archaeologist, let alone an official of the Egyptian archaeological authorities. So why are the recent social media attacks presented as an accusation against me? What exactly is being exposed? That I am not an Egyptian government official? Of course I’m not. I’m a Belgian conceptual artist.

The real question is what my actual role in the Hawara/Labyrinth project has been—not whether I possess a title that I have never claimed to possess. So the recent slander isn’t exposing a false claim. It is manufacturing an accusation around a status I never claimed.
And perhaps that is what is really at stake here. It seems less about the word “official” than about who is allowed to enter the field, who is allowed to ask questions, and who is allowed to imagine what might still be hidden beneath the surface.

As a contemporary artist, I represent precisely that territory: the freedom to imagine, to speculate, to create, to challenge established narratives, and to pursue a possibility before it has become a scientifically accepted fact.

Archaeology has its disciplines, methods and institutions—and they are important. But the human impulse to dream, to imagine and to explore does not belong exclusively to institutions.
Perhaps what is being attacked here is not my lack of an official title, but the legitimacy of imagination itself—and the uncomfortable possibility that an outsider, an artist, might dare to dream beyond the boundaries of the established "official" field.
https://www.facebook.com/permalink.php?story_fbid=pfbid02WcGe7yh8awSs2UQsXR5vQnTvRbHEJGhcFwo7a8NSCzY2gsCTxUuPWNcfBbk1EN8Gl&id=100008150646147
Posted august 8, 2026

Frank Rogala

Louis De Cordier

Frank Rogal: Regarding Louis De Cordier
I’ve watched with increasing disappointment as some people have tried to dismiss Louis De Cordier’s role in what is now happening at Hawara by saying, “He’s just an artist.”
To me, comments like that either come from people who haven’t taken the time to understand the history of this project or from those who are more interested in shifting credit than acknowledging the people who actually devoted years of their lives to making it possible.
I’ve had the privilege of getting to know Louis personally, and I can tell you this: I have rarely met someone who has poured so much of himself into a single mission.

For nearly two decades, Louis has dedicated himself to the Hawara Labyrinth. He helped organize the Mataha Expedition, bringing together Egyptian authorities, geophysicists, and researchers to investigate the site using modern geophysical methods. He didn’t pretend to be every kind of expert himself—he did something far more important. He brought experts together, coordinated efforts, kept the vision alive, and refused to let one of history’s greatest archaeological mysteries be forgotten.

Over those years, he immersed himself in historical research, satellite imagery, engineering studies, conservation planning, fundraising, and the creation of an extraordinarily detailed master plan—not just for excavation, but for protecting the site itself from groundwater damage and ensuring the work could be carried out responsibly.

None of that happened overnight. It represents thousands of hours of research, planning, meetings, setbacks, revisions, collaboration, and persistence. While many people talked about Hawara, Louis kept working.

The excavations now underway did not emerge out of thin air. They stand on the foundation built by years of effort from many dedicated people, and Louis De Cordier deserves to be recognized as one of the principal driving forces behind that foundation.

History is filled with individuals whose greatest contribution wasn’t fitting neatly into a professional label—it was asking important questions, bringing talented people together, and refusing to give up. The measure of a person is not whether they began as an artist, an engineer, or an academic. The measure is whether their work moved humanity forward.
Anyone genuinely interested in archaeology should welcome serious investigation wherever it comes from. If the evidence supports the work, that’s what matters. If future discoveries refine or even challenge current ideas, that’s how archaeology advances.

But let’s not rewrite history while we’re making it.

Louis De Cordier earned his place in this story through years of vision, sacrifice, persistence, and hard work. Those of us who have watched that journey unfold know exactly how much he has invested, and I believe history will remember that.

Posted on Facebook on August 4, 2026

Labyrinth of Egypt, Hawara - Klaus Dona by GeoScan © Dr Carmen Boulter - 3D animation Michael Donnellan 2015

Geoscans graphic of the Hawara Labyrinth show 82 rooms some of which are larger than supermarkets under Egypt. The roof of the highest chamber in Egypt is the length of a football field under ground level. This scan was done by Geoscans which is not the same technology that Timothy Akers developed which is far more sophisticated. Read Louis DeCordier's account below.

Satellite deep scans show this image of the Omega Symbol deep under the
Hawara Labyrinth.

Since Louis De Cordier published his article on April 4, 2025 I have been keeping track of the media accounts. At the bottom of the page there are a few links for further research.

Dr. Carmen Boulter and Klaus Dona
The Satellite Key to Egypt’s Lost Labyrinth
Louis De Cordier
Apr 04, 2025

Dr Carmen Boulter, Andrew Barker and his wife, Amanda standing on the top of the Hawara Pyramid, Fayoum Oasis — 03.10.2015 © Louis De Cordier

Andrew Barker, Groppi coffee shop, Cairo 04.10. 2015
© Louis De Cordier

Here it begins. I turn right, steering my old Nissan Terrano 4x4 down a steep dirt track, tires crunching against the earth. The hundred-meter-wide rocky rambla—a dry riverbed—stretches before me, a scarred testament to the whims of nature. I ease to a stop where a cold mountain river slices the road in two, its waters glinting under the winter sun. Carefully, I gauge the depth, then shift the gear into differential lock. With a slow, deliberate commitment, I press forward, the vehicle lurching over the “rolling stones.” The river rises, submerging the tires, and for a moment, I’m suspended between peril and triumph. Then, with a surge of relief laced with exhilaration, I emerge on the other side.

Another kilometer unfolds through a dense, lush green jungle of a track, leading me to Cortijo Las Plumas, where the writer Andrew Barker has carved out his sanctuary. Free-roaming horses greet me, their soft, warm presence a quiet welcome. In the distance, the joyful chatter of voices drifts from a vine-draped terrace, where people savor an English breakfast overlooking this secluded valley—a hidden horse farm cradled by the wild.

And there she stands: Dr. Carmen Boulter1, the renowned scholar and filmmaker, celebrated for her work on ancient Egypt, The Pyramid Code2. Andrew had invited her to fly in from Canada, bearing the staggering results of satellite scans he’d commissioned through her personal friend and spiritual archaeologist, Klaus Dona3. The air hums with anticipation.
https://labyrinthofegypt.substack.com/

The Merlin Burrows Scans
A Modern Search for for an Ancient Archive - Part I
Louis De Cordier
May 27. 2025

A Quest Reignited

In the tranquil embrace of the Alpujarra’s verdant valleys, where the whitewashed village of Cádiar cradled our writer’s studio, a restless spirit stirred. Months had elapsed since our exhilarating sojourn in Egypt with the indomitable Carmen Boulter1. Serenity had returned to the green valleys where, a year prior, Andrew Barker and I embarked on our quest to pen a book unveiling Egypt’s Hawara Labyrinth. Dust gathered on the bookshelves, yet Andrew’s resolve burned unyieldingly. A sacred flame ignited within him to reveal the labyrinth at Hawara, that grand subterranean wonder whispered to be the lost Library of Atlantis—a relic of an Ice Age civilization that crumbled some 12,000 years ago. That epoch, shattered by solar storms, cosmic debris breaching our biosphere, earthquakes, volcanic eruptions, floods, droughts, and the relentless climate shifts from melting icecaps, brought even the mightiest civilization that probably ever existed to its knees. Was the labyrinth their “ark of knowledge,” a beacon to enlighten future generations with the wisdom of harmonious coexistence with nature and a warning, carved deep into its stone walls, of the return of those cataclysmic cosmic cycles? Cycles that, as I write, seem to stir our planet once more? Like a steadfast English knight, Andrew seized the sword, embarking on what would become the most heroic battle of his life, tinged, as epic tales often are, with a hint of tragedy.

Andrew Barker and his wife, Amanda at Hawara - 2015 © Louis De Cordier

Head of Research Tim Akers (left) and CEO Bruce Blackburn (right) from Merlin Burrows, in Harrogate, North Yorkshire - England

The Technology: Holographic Depths

June 2015. A WhatsApp voicemail crackled through on my mobile: “Andrew here. Could you come over? There’s something I need to tell you.”
At 10:00 the next morning, I found him in the refectory of the Alqueria de Morayma2, an oasis of Andalusian peace, enveloped by vineyards, almond groves, and the scent of orange blossoms. At a grand, weathered Spanish table, strewn with documents, maps, notebooks, and his dust-laden laptop, Andrew sat, eyes alight with purpose.

Louis De Cordier announced, "Here it is! Finally, after 10 years of being protected by a Non-Disclosure wall against the harsh reality of archaeology today. Time to release is Now, and this has everything to do with the recent revelations of the Khafre Pyramid Discovery and the support of Trevor Grassi. Great thanks to Andrew Barker and in memory of Tim Akers, Founder of Merlin Burrows."

[This same technology was utilized by Timothy Akers in a year long project at the Montana Megaliths.]

Louis De Cordier wrote:
“This is the man, Louis!” He (Andrew Barker) declared, introducing Timothy Akers, an ex-military tech researcher and programmer who had honed his craft in the British Army’s satellite scan security division. A man who is now channeling his passion for antiquity into his start-up company, Merlin Burrows—turning his military expertise to probing ancient sites with cutting-edge satellite technology."

"Andrew’s discovery of him was serendipitous—a small blog post by Akers about the colossal statues said to have once stood in Lake Moeris, near the Hawara Labyrinth. Akers’ scans had confirmed the presence of dual pyramids that once supported those statues, a tantalizing clue to the labyrinth’s proximity."

“I reached out, told him about our labyrinth research, and the guy went wild. So wild, he called in old comrades still buried in the military industrial complex to process the satellite data using their top-tier systems—something that would’ve taken him years on his own.”

"It sounded both thrilling and absurd. Skepticism shadowed my excitement. I had my share of “remote sensing” claims. Yet here was a man with broad shoulders, a beard fit for a Norse god, and a home-knitted jumper big enough to house a horse. I remained cautious."

"Without pause, Andrew (Barker) drew a crisp white sheet from his weathered leather bag, itself scarred from the dust of Hawara, the bustling markets of Fayoum, and a dozen sips of shisha water-pipes along the way."

“To understand what Tim is doing, let me explain first how a holographic image emerges from a flat photograph, as this is key to how Tim creates a 3D image of Hawara’s depths from a satellite scanning only the surface.” He began: “Picture a pan filled with water. Drop several pebbles into it, and ripples form, colliding into intricate wave patterns. If you could freeze that water instantly and lift out the ice, shining a light beneath would project a 3D image of the pebbles at impact—a hologram born from frozen ripples. Tim’s technology does this on a grand scale, and with far greater precision.”

"Tim’s system sourced high-frequency satellite images—already purchased by Andrew—from private orbital agencies. Typically, these were run through custom software on his own servers. But this time, through old military contacts, they would be processed deep inside classified facilities beneath the UK, places where processors that once tracked submarines hiding behind tankers would now be focused on Hawara."

“This tech could detect a sub’s path by analyzing the residual water ripple field left behind—fluid footprints,” Andrew explained. “Now imagine what it can do when scanning solid geological formations, vibrating on the Earth’s constant geophysical activities. This tech can map the underground in 3D up to 5 kilometers deep, distinguishing between granite, diorite, limestone—even mapping voids, tunnels, and metallic anomalies with uncanny precision. Down to the size of a golden watch.”
Read the rest of the story here:
https://labyrinthofegypt.substack.com/

The Merlin Burrows scans II
The Harrogate Briefing: Unveiling the Labyrinth from Orbit
Louis De Cordier
Jun 06, 2025

Merlin Burrows 2015 inverted Satellite Scan of the Labyrinth, Hawara, Egypt -
Image © Cosco 2025

After grasping the true magnitude of Tim Akers’ satellite scans, a quiet urgency set it. We knew the implications stretched far beyond academic uproar. Fearing not only the backlash from the establishment but the wider dangers such revelations might trigger—disturbing interests well outside the bounds of archaeology—our research team made a crucial decision, one born of caution: to keep the findings secret.
We chose not to share any of the scan data outside our closed circle, implementing a strict non-disclosure agreement (NDA) for anyone granted access to the images. This wasn’t out of a desire to hoard information, but rather to protect the feasibility of our main goal: to carry out a new expedition on Egyptian soil.

Labyrinth, Hawara, Fayoum Oasis, Egypt - - image © sailing stone travel

We had learned from past experience—namely, the release of our scans associated with Dr Carmen Boulter and Klaus Dona1, and especially my own Mataha expedition scans in 20082—that making loud public claims only led to temporary media attention, followed by lasting obstacles. Keeping a low profile, rather than triggering a short-lived storm of speculation, would get us much further. Releasing the scans too early would risk blowing our cover with figures like Dr Zahi Hawass3 and the Ministry of Antiquities, potentially landing us on the infamous blacklist that barred the independent researcher Graham Hancock from entering Egypt for years.
I myself had already been placed on that blacklist once before—back in 2008—after presenting the Mataha expedition results during a lecture at Ghent University.4 Hawass interpreted this as a breach of national security protocol, simply for publicly sharing our geophysical results. I was determined not to repeat that experience. The Egyptian prison was not the type of labyrinth I wanted to get lost in. So we chose silence over spectacle. Our aim was to return to Egypt and explore the site properly. To do that, we had to remain invisible.

Hawara, Labyrinth, Fayoum Oasis, Egypt - image © Louis De Cordier, 2008

Harrogate, United Kingdom – 2015
Harrogate: the city where Tim Akers lived and the birthplace of Merlin Burrows5, his satellite scanning company. There they were—two trail-hardened researchers who had traveled the world in search of the fingerprints of Atlantis—awaiting check-in at the reception of the Crown Hotel6. Clearly excited about the upcoming meeting with the master of pixels, both were about to be guided into the ancient mysteries buried deep beneath the sands of Hawara: the lost Egyptian Labyrinth.

Harrogate, a town I had never heard of before, lies hidden among the green hills of North Yorkshire. A place forgotten by the outside world since the twilight of the British Empire, yet harboring a formidable technological secret. Just outside its medieval center stands RAF Menwith Hill, a Royal Air Force station7. Tim Akers knew it well. He had spent many years there as an officer in Special Access Programs (SAP), working with highly advanced and classified technologies.

RAF Menwith Hill, Royal Air Force station, Harrogate , North Yorkshire, UK

Menwith Hill is no ordinary military base—it is the largest electronic monitoring station in the world. Buried deep beneath the peaceful façade of Harrogate, it operates as a satellite ground station, intercepting global communications, tracking Russian nuclear submarines, scanning for underground bunker complexes in Asia, and even locating landmines in the Middle East. It functions in close collaboration with the U.S. National Security Agency (NSA). A small town hiding a massive military eye. Akers had turned that military-grade expertise toward ancient mysteries—toward Hawara.

Tim Akers, The Crown Hotel, Harrogate, UK - 21 July 2015 © Cosco

For this special occasion, to present what Tim Akers had been silently analyzing since our webcam call in mid-June, Andrew Barker8 had rented a small conference room at the Crown Hotel—a 300-year-old establishment. The Montpellier Suite, with its wooden wainscoting, usually hosted corporate meetings. But on that day, it was to house one of the most extraordinary private briefings in the hotel’s history. Before we began, Michael Donnellan9—ever vigilant—swept the room thoroughly for hidden microphones or cameras. Michael, who had been part of our research team since the Carmen Boulter days, had taken it upon himself to visually document our daring quest for the Labyrinth.

Tim Akers / Merlin Burrows 2015 Satellite Scan of the Labyrinth, Hawara - Fayoum Egypt - Image © Cosco, 2025

Tension was palpable. Even Andrew, though already partially briefed as the project patron, had barely slept the night before. Seeking solace, he found himself in the downstairs pub, a glass of one of Scotland’s finest whiskies in hand, immersing himself in the verses of Kahlil Gibran's The Prophet10. The poetic reflections on life and the human condition offered a momentary escape. As he read, Michael animated the room with his tales of desert adventures and mysteries from the ancient world, his stories, gestures, and smiles weaving through the air and momentarily easing the weight of anticipation.
I wasn’t there myself. I was in Spain, filming a documentary about my high-altitude library project in the Sierra Nevada—Biblioteca del Sol—built years prior11. But everything at the Crown Hotel was filmed for archival purposes and for my later review.

Merlindown_Master.JPG

The room darkened. A projector lit up the first scan. “Do you recognize it?” Tim asked, with a mischievous grin. Everyone rushed toward the projector in the dim room. There it was, in full screen: the satellite scan of Hawara, now in full color and 3D. “You think you see it,” Tim said, “but you don’t!”
He had been immersed in these images for weeks and had a lifetime of satellite scan interpretation behind him. “There’s so much information in each image that your brain can’t absorb it all. You’re seeing five levels compressed into one. The color image gives a false sense of 3D—what appears on top is often the deepest layer.”

Tim Akers pointing to the Hawara pyramid zone on his satellite scans - Harrogate, UK 2015 © Cosco

He (Tim Akers) explained the color code: “Black swaths are the default. Black shattered specks and dots are artifacts near the surface—likely from the Roman and Ptolemaic12 periods. Yellow is nearest to the top, then red, green, light blue, and finally dark blue at the deepest level.”

“This master image is a fusion of many overlapping satellite scans. Because the satellites don’t always fly directly over the site, we do deal with some minor distortions, which must be factored in when interpreting the exact positioning of elements. That said, the master composite provides a solid reference.”

A white-toned, inverted version of the scan was also shown, reversing the colors to offer a different visual interpretation.

Tim Akers / Merlin Burrows 2015 Inverted Satellite Scan of the Labyrinth, Hawara - Fayoum Egypt - Image © Cosco, 2025 - download HD version

Merlin Burrows 2015 - Satellite Scan of the Labyrinth, Hawara, Egypt - Image © Cosco, 2025

“There are four distinct layers underground—five, if you include the surface above the mother rock,” Tim said. “These layers are separated by 20 to 50 meters and align, quite strikingly, with elements seen in the Hawara GeoSCAN survey13. These also showed four levels. However, my scans reveal a clearer separation between the top two layers and the bottom two.”
Given Andrew’s deep concern about the groundwater level—clearly visible in the entrance passage of the Pyramid of Hawara and currently obstructing any underground exploration—he posed the pressing question to Tim: “Does this mean we are dealing with an entirely submerged structure?”
“Not at all,” Tim replied. “It’s true that significant portions of the site are affected by shallow groundwater issues, but it’s important to stress--very shallow.”
Recent investigations, including those conducted by the Egyptian-Polish mission14, confirm that the groundwater does not penetrate deeply—reaching no more than approximately 8 meters below the surface, and certainly not down to the mother rock, which lies at a depth of around 18 meters.

Entrance passage of the Hawara Pyramid - submerged by shallow groundwater - Fayoum Oasis, Egypt

The most affected area, Tim explained, is the zone surrounding the pyramid itself. There, the mudbrick structure acts almost like a wick, drawing moisture upward—even above the level of the canal that cuts across the site.
“The entire deeper understructure is free of water,” he emphasized. “And our scan data clearly shows it to be hollow.”

Tim Akers and Andrew Barker analysing the Northwest side of the Hawara Necropolis - Harrogate, UK 2015 © Cosco

Dippy

“All layers converge at a central corridor or avenue,” he added, “like the atrium of a shopping mall, where you can see all floors from one vantage point.” A hall consisting of a massive space, 64 meters wide and no less than 160 meters long. “My personal interpretation,” Tim said, “is that this entire hall was constructed to house a centrally positioned, freestanding object about 40 meters long.”

Dippy in the Hintze Hall at the Natural History Museum, London, United Kingdom

“The central object is hard to classify—it appears metallic, not stone or wood. I named it ‘Dippy,’ after the giant Diplodocus skeleton in the Hintze Hall of London’s Natural History Museum. It could be anything—its shape resembles those tic-tac hard mints15, ***it might also be an upright disk, or even a colossal Shen Ring16: the ancient Egyptian symbol representing the eternal cycle of creation. That big object alone raises profound questions: How did it get there? Why is it there?”

***INSERT INTO THIS NARRATIVE: Did you know that the Mars Rover recently snapped a photo that looks just like a Tic Tac UFO? It's a shiny oval. Joe Rogan https://www.facebook.com/reel/684826830739309

Shen amulet of Reniseneb, Middle Kingdom, Dynasty 12–13, ca. 1810–1700 B.C. Metropolitan Museum-
Object Number: 26.7.1347

He paused before adding with measured gravity: “A more speculative theory is that it’s some kind of portal—either interdimensional or interstellar —a stargate17. Its material signature is unlike anything I’ve seen in my entire career. But it’s there—undeniably there. I’ll let the future find out what Dippy is.”

Egyptian Shen Ring - NFT [Crypto Amulet ] created by Leonardo Marchesi and Louis De Cordier as a
Labyrinth of Egypt fundraiser in 2022 - opensea.io

Rising Closer to the Surface

“These deeper layers form an underground complex the size of ten football fields18. Closer to the surface, we notice a moat-like feature dug around the entire site, its shape unmistakably echoing the form of a Greek omega (Ω), or more significantly, the ancient Egyptian Shen ring —both symbols of eternal life —suggesting a deliberate, perhaps sacred, recurrence of the motif.”

“But was it a defensive moat filled with water, like in medieval castles? Or more like the recently discovered dry moat at Saqqara?19 The question remains.”

“Surrounding the pyramid are numerous peaks—deep shafts that seem to end in a chamber. These are likely Persian tomb shafts20—vertical burial structures from the Late Period, and the subsequent Persian Dynasty. That’s around the same time Herodotus visited Hawara!21”
These tomb shafts are known to reach depths of 30 meters, with side chambers carved at various depths and dimensions of up to 8 by 10 meters—testament to their monumental scale.

Returning to the Pyramid

Back at the pyramid of Hawara itself, the scans unmistakably show not one, but two chambers beneath the monument. One aligns with the well-known burial chamber uncovered by Flinders Petrie22 in January 1888. The second, still undiscovered, lies beyond, what Petrie described as the “blind passage.”23

This corridor, meticulously cut into the limestone bedrock, descends deep beneath the pyramid and was followed by Petrie until it abruptly terminated. At the time, he concluded that the tunnel led nowhere—an impression shaped by the groundwater he encountered within the Hawara pyramid, a persistent obstacle caused by the Bahr Wahbi canal24, an artificial waterway that cuts directly across the archaeological site. The rising water table made further excavation increasingly unfeasible.

He documented that the tunnel ended in what appeared to be a solid wall, with no immediate evidence of chambers beyond it. Yet, with the benefit of hindsight and new data, it’s plausible that Petrie reached not a definitive end, but rather a false terminus—a blocked transitional section, deliberately sealed or naturally obscured by the water.
This leads to a compelling hypothesis: that a hidden passage lies just beyond, forming a subterranean link between the pyramid and the deeper structures of Hawara.
Such a connection would not only align with the ancient testimony of Herodotus, who spoke of a tunnel joining the pyramid to the Labyrinth, but is also strongly supported by modern geophysical evidence. Both the Mataha Expedition (2008) and the joint Polish-Egyptian survey conducted by the University of Wrocław and Cairo University detected anomalies and voids in precisely this area—suggesting that Petrie may have stopped just short of one of the most significant buried features of the entire complex.
If verified, this would confirm that the “blind passage” does not mark an ending at all—but rather the hidden threshold to the legendary underground of Hawara: The lost labyrinth of Egypt….

November 15, 2025
New reel reveals Tic Tac shaped metal object under Pyramid in Guatemala. https://www.facebook.com/reel/1864615721132751

More here: https://labyrinthofegypt.substack.com/

On March 9, 2026 my friend, Louis Anton Priet, sent me a link to this post about the Omega symbol in ancient civilizations.

At first glance they look like images of completely different cultures.
Mesopotamian reliefs.
Ancient amulets.
Egyptian Art .
Christian iconography.
But when they put side by side... a pattern appears that disturbs those who study the symbols of power.
The same sign comes back and forth.
In the Christian tradition it appears as the phrase “Alpha and Omega”, the beginning and the end.
A symbol of totality.
But centuries before appearing in biblical texts, almost identical shapes already existed in stamps and reliefs, where winged figures guard sacred trees and symbols that seem to anticipate the same geometry.
Symbology studies show something strange.
Omega doesn't show up alone.
Frequently connect with serpentine figures, energy arcs or geometric portals.
For many historians this simply represents cultural evolution of symbols.
But within esoteric currents lies another interpretation.
The idea that certain symbols are not born in a particular culture.
They travel.
They survive.
They are transforming.
From ancient temples to later religions.
Some researchers argue that the Omega originally represented an energy portal or a closed cycle, a symbol describing the point where the beginning and the end meet.
That's why it appears linked to:
snakes (symbol of the Eternal Cycle)
sacred trees ( axis of the world),
and winged figures that seem to guard that knowledge.
When that same symbol appears centuries later in Christian iconography, many believe it's no coincidence.
It's symbolic heritage.
An ancient code that was reinterpreted by every civilization that inherited fragments of previous knowledge.
Because in the history of power, empires fall...
but the symbols survive.
And when the same symbol spans thousands of years, multiple religions and cultures separated...
some researchers believe we're no longer seeing art.
We're watching snippets of a much older language.
Antiguos Secretos
https://www.facebook.com/AntiguosSecretos/posts/pfbid0bA9TNTMZw4JoKPE4fi37TkLr2GT4nry7o1ouzehgBWK4F7t4i3RT8KayJdQq339Xl?comment_id=918641744116391&notif_id=1773092377017268&notif_t=comment_mention&ref=notif

The Omega Symbol appears as the Euphrates River is drying up.
Nubia Alcala writes: "One of the prophecies of the Apocalypse which means the end of times is the river Euphrates is drying up. We actually see this happening now and interestingly, the river seems to have revealed the Omega symbol, which is the last letter of the Greek alphabet. Jesus also claimed to be the Alpha and Omega.
“And the sixth angel poured out his flask on the great river Euphrates; and the water thereof was dry, to prepare the way of the kings of the east. ”
— Revelation 16:12
“I am Alpha and Omega, the beginning and the end, the first and the last. " — Revelation 22:13"
https://www.facebook.com/.../pfbid02s1b5n93hKY9vVnL2sXVBV...

Omega crown of Hathor

Ankh symbol

Michael Pell commented that the crown of Hathor, the Egyptian Goddess, is also an Omega Symbol. Later he sent photo and with the comment: "With alpha/omega tied to a beginning and end, such as the cycle of “life” may account for the life symbol of the ankh as follows."

WILLIAM BROWN

William Brown PART 2: Egyptian Disclosure 10
June 7, 2025
Our reality is invariably 'partially' obscured when it pertains to articulating precisely what Zahi Hawass wishes for the public to comprehend. i.e., Zahi Hawass's recent information release during an interview on Matt Beall's "Limitless" channel.

My esteemed colleague Louis De Cordier has recently unveiled his findings from the Hawara Project 2015 to the public, following the customary ten-year period of restricted Egyptian mandates governing discoveries within Egypt.

I had the privilege of collaborating on the earlier Hawara Pyramid Restoration Project (2008-09) and encountered similar constraints as those discoveries from that era. Subsequently, I was relieved of my duties, and over the span of nearly 16 years, I now seize the opportunity to unveil the revelations from 2008.
Louis and I, alongside Trevor Grassi, will be featured on the Cliff Dunning podcast recording next week to share our collective insights.
Ongoing dialogues with various talk show hosts will populate the calendar for days,months, and years ahead, with the hope of disseminating information that will help unlock the mysteries of all of Egypt.
Today, I present an illustration on my Facebook page that encapsulates Hawass - Beall’s account of an extraordinary discovery within the Great Pyramid. Matt Beall articulates, in a manner of speaking, his role as the benevolent patron of the 'vehicle' apparatus meticulously designed to facilitate exploration into an uncharted domain ostensibly designated as Void #3.
A second Japanese team is diligently investigating the intricate details of this newly unveiled Void #3 information, as disclosed by Zahi Hawass and Matt Beall.
"""
Precisely where will this non-invasive drilling be executed? The insights from the Biondi - Flippo - Corrado Malanga 2022 report may hold the key to the answer!

GEOSCULPTURE OF THE HAWARA LABYRINTH
Geosculptures

I discovered this geosculpture of two faces as seen from Google Earth in a video about the Hawara Labyrinth in Egypt.

Andrew Barker commented: "In fact there is a remarkable structure below the face. A deep tunnel structure that forms the shape of Orion, the hunter? Exactly why we don’t know; but superficially this was the Pharaoh hunting region?"

The Buried Memory of the World
Louis De Cordier
Jul 14, 2025

Hawara.
The black sheep of Egyptian archaeology. Uncelebrated, avoided, neglected.
Not a ruin, but an open wound.
Not a grave, but a mirror.
Beneath the windswept silence of the Fayoum’s dust,
beneath the collapsed bones of Amenemhat’s deserted dream,
lies a memory the world taught itself to forget.
A labyrinth, not as symbol—but as a key.
A sacred instrument —a vessel of transformation.
A stone library of antediluvian resonance, built by minds
that still vibrate across the veil.
Herodotus saw it and called it greater than the pyramids.
Strabo doubted his own senses.
Petrie reduced it to rubble,
but the sand never stopped whispering.
And still—Hawara breathes.
Hawara pyramid, Fayoum Oasis, Egypt - image © Louis De Cordier 2015
No banners proclaim it.
No grants flow.
No academic pilgrimages kneel at its edge.
Because Hawara does not flatter.
It does not perform.
It does not belong to the empire’s story.
It asks:
Why did we build our world on a lie?
Who decided which memories deserve forgetting? When will the last deceiver fall, and its first seeker enter?
They cut a water channel through its throat. Flooding its voice.
Buried its echo beneath mountains of gravel.
And they chose to forget.
The Hall of Records—radiant with knowledge beyond kings--
kept the primordial archive alive, as empires rose and fell.
Hawara is not dead.
It waits in patience through the ages.
It hums beneath the sand. Awaiting a second coming
It speaks now through reflected radar pulses.
through doppler waves and magnetic breath. Harbingers of the awakening to come.
It does not call the tourists.
It calls the seekers--
those who chase no spectacle,
but descend for the spine of truth buried beneath empire.

Labyrinth of Egypt, Mataha-Expedition - image © Louis De Cordier 2008

MORE REFERENCES REGARDING HAWARA

Louis De Cordier published his first. article on April 4, 2025. I have been keeping track of the media accounts as well as the mis-information and distortions about the Hawara Labyrinth.

March 15, 2026
The Hawara Labyrinth was said to be even more impressive than the pyramids of Giza, and in 2026, excavation begins.
https://www.facebook.com/reel/943219024889762

Posted December 19, 2025
Michael Button and Julian Dorey
Groundbreaking - One million year old skull and Egyptian Labyrinth
2:30:48 minutes
https://www.youtube.com/watch?v=Gdoo-E5HxnY

Posted December 19. 2025
Louis DeCordier
Why Files
https://www.facebook.com/reel/1417612023260173

Posted December 19, 2025
A Discovery Kept Quiet for 10 Years (Hawara Labyrinth)
The Why Files
https://www.facebook.com/reel/871386751956227

Posted December 17, 2025
The Lost Labyrinth of Hawara: Evidence of Atlantis in Egypt
The Why Files
https://www.youtube.com/watch?v=NVLrQ0twtDA

Trevor Grassi on the Hawara Labyrinth in Egypt:
https://www.facebook.com/reel/796653166267912

Posted August 14, 2025
Tunnel to Big Void Found? Hawara’s Lost Labyrinth Contains Exotic Metal Craft?? | #68 Trevor Grassi
https://www.youtube.com/watch?v=V_zaEpU5uBc

The Lost Labyrinth of Egypt Has Been Found
Ben Van Kerkwyk at
The Cosmic Summit
https://www.youtube.com/watch?v=F0QZW6rgr0Q

BREAKING NEWS - Hawara Labyrinth Egyptian Complex
https://www.youtube.com/watch?v=QsqG8DKq8vA&list=PLEpr4aa9rk9pbghWwZiXtyDr7LxbEwzoM&index=2&t=7s

Trevor Grassi and William Brown update our information about the Hawara Labyrinth in
The Secret Underground World of Giza Part One: starting at 1:01:18 minutes:
https://www.facebook.com/photo/?fbid=981459653550217&set=a.220625682966955

EGYPTS GREAT LOST LABYRINTH
https://www.facebook.com/watch/?v=714972314196560

Conspiracy: Silencing the Discovery of Egypt’s Lost Labyrinth | Ancient Architects
Seen at 1:59 minutes
https://www.youtube.com/watch?v=BAqPZ3NqVFk&t=1s

Montana Megaliths You Tube Channel:
https://www.youtube.com/channel/UCdFeIhHZdjebI7WPgN-guhQ

.Julie Ryder's Facebook
https://www.facebook.com/julie.ryder.5095

Copyright by Julie Ryder 2011 through 2026

THE GREAT REVEAL:SATELLITE DEEP SCANS

THE GREAT REVEAL:
SATELLITE DEEP SCANS